This exhibition throws the concept of an exhibition on its head. Instead of presenting us with a final exhibition, our curator places herself in the viewer's shoes and freely elaborates all that comes to mind when viewing abstract art. Usually, this freeform association when looking at an exhibition is something that happens internally with the viewer. These internal dialogues and association of a gallery or museum visitor is seldom uttered aloud and even less likely to be recorded. This presentation of abstract art allows us to follow one individual subjective narrative around experiencing abstract art as abstract arts power lies in its subjectivity. Miracle freely associates to whatever the abstract paintings of Gemma conjure in her mind.