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Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
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Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas
Fanny Gueniot, L'ancre, Painting on canvas

L'ancre, 2026
Fanny Gueniot  

Painting : acrylic · 70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch · Ready to hang

€2,000 2 000 €

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Shipped from: France

Delivery to: France , € 107

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

acrylic on canvas

Dimensions ( cm • inch )

70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch Height x Width x Depth

Sold by

Independent artist

Fanny Gueniot • France

Credentials

Vetted seller since 2026

Description

This painting by Fanny Gueniot is distinguished by a very intimate and silent representation of the human body. The figure, nude and curled upon itself, occupies almost the entire composition. She is kneeling, back rounded, head buried against her arms, and one hand coming to support or surround the leg. This posture gives an impression of retreat, vulnerability, and introspection. The body is not treated as a simple anatomical study. The volumes are constructed by broad strokes of brown, beige, gray, and white paint. The flesh appears almost sculpted by the light. The hands and feet, particularly visible, draw attention: their contours are affirmed but remain deliberately pictorial, with free and imperfect touches.

The face, half concealed, is essential: one can distinguish an eye and some features, but the expression remains difficult to grasp. This absence of a frontal gaze reinforces the feeling of the character's withdrawal. She does not seem to be posing for the viewer; she appears absorbed in her own world.

The deep blue background creates a very strong contrast with the warm tones of the body. The vertical streaks of blue, visible particularly above the figure, give the canvas an almost meteorological dimension: like rain, an emotion overflowing, or a substance flowing. The blue envelops the character without truly touching her, while the white and gray drapes of the floor form a kind of protective space. The palette thus produces a tension between the warmth of the body and the coldness of the environment.

The photographed details clearly show the material: one sees the weave of the canvas, the brushstrokes, the superimpositions, and the areas where the paint is more diluted. Gueniot seems to leave visible the traces of the gesture rather than seeking a perfectly smooth rendering. The painting thus oscillates between figuration and abstraction: from a distance, one immediately recognizes a human body; up close, certain areas become almost compositions of spots, lines, and matter.

The posture evokes something fragile, meditative, and almost melancholic, but not necessarily painful. The character seems to be in a suspended moment, as if protecting herself from the outside world. The curled body can be read as a form of refuge: curling up to return to oneself.

In summary: a contemporary figurative painting, carnal and very expressive, where the curled body becomes the vector for a reflection on intimacy, vulnerability, withdrawal, and interiority. The strength of the painting comes precisely from the contrast between the very physical presence of the body and the almost abstract, cold, and rainy atmosphere that surrounds it.

Nude

figurative

Human body

Women

Beige

Navy blue
Fanny Gueniot, L'ancre
Fanny Gueniot

Fanny Gueniot

France  • 1987

Presentation

Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.

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