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Hans Bellmer Dialogues, 1958

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$USD 7,457

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The artwork is available for pickup from the gallery in Paris, France


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Galerie Hus

Paris, France

Artsper seller since 2015
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Hans Bellmer, Dialogues
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Informations about this artwork
  • Medium

    Print : eau-forte, etching

  • Dimensions cm | inch

    15 x 11 inch

  • Support

    Print on washi paper

  • Framing

    Beige wood frame with glass

  • Artwork dimensions including frame

    17.7 x 13.8 inch

  • Type

    Numbered and limited to 10 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    Set of 5 prints by Hans Bellmer (1902-1975) signed and numbered in pencil by the artist.

    Edition in 10 copies on Japanese paper

    The object intended to accompany the "dialogues" of Joe Bousquet 1967, but finally published separately. The only series of predominantly abstract engravings by Bellmer, engraved in 1958, which explores almost "empty" the lines of force where desire is concentrated.

    Publisher: Éditions Louis Broder, Paris

    Careful and tracked international shipping.
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Origin: France
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Hans Bellmer

France Born in: 1902
Hans Bellmer was born in 1902 in Kattowitz and died in 1975 in Paris, he is a French and German painter, photographer, engraver and sculptor. And is most of all one of the major representatives of Surrealism.

In 1923, Hans Bellmer started his studies at the Technical University of Berlin. Over there, he got particularly interested in politics, the work of Karl Mark, and the realisations of the artist Dada. Soon, Hans Bellmer did his first of several journeys to Paris, where he met the Dada and Surrealist communities. When he came back to Berlin, he decided to open an advertising studio.

In 1933, his work and in particular his Poupées, are compared to «degenerated art» according to the Nazis that just came to power. In 1923, he decided to definitely settle in Paris where he participated for a few years in the Surrealist exhibitions. At the beginning of the Second World War, Hans Bellmer was trapped at the Camp des Milles with artists as Max Ernst, Springer and Wols.

In the 1930’s until his death, Bellmer worked almost exclusively from erotic images always feminine, most of the time from the body of a battered woman.

The work of Hans Bellmer is often wrongly compared to perversion. His work is above all a precious poetic testimony of Surrealism, of course in the most extreme way.
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Hans Bellmer, Dialogues
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