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Five aquatints,
1975
Robert Mangold
Print : aquatint, etching
50.8 x 50.8 cm 20 x 20 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 50 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
50.8 x 50.8 cm 20 x 20 inch Height x Width x Depth
Support
Framing
Transparent plexiglass frame
Artwork dimensions including frame
69 x 69 cm 27.2 x 27.2 inch
Artwork sold in perfect condition
Artwork location: Japan
Robert Mangold is an artist who has worked extensively with the most basic of formal elements - shape, line, and often monochrome color to create minimalist and abstract works. Combining geometry and asymmetry, his images reflect thoughtful composition and careful precision, deliberately balancing tension and flow. Soft, often subtle colors of varying tones serve as the field in which Mangold directs the pulse of his dark pencil line.
About the seller
Professional art gallery • Japan
Artsper seller since 2022
Vetted Seller
Imagine it at home
Presentation
Mangold was born in North Tonawanda, New York. He studied at the Cleveland Institute of Art in Ohio, and at the Yale University School of Art and Architecture in New Haven Connecticut, where he earned his BFA in 1961 and his MFA in 1963. Robert is married to Sylvia Plimack Mangold, who is also an artist. Since his first solo show in 1961, he has exhibited at some of the most prestigious institutions around the world, including the Stedelijk Museum in Amsterdam, Kunsthalle Basel, and the Solomon R. Guggenheim Museum in New York.
His paintings are minimalist, and he is often described as an abstract artist. Through a complex creative process, he combines simple elements to develop his own artistic language, rooted in geometry and asymmetry, expressed through both shapes and forms. With his clear and direct works, he explores various relationships, such as the interaction between shape and space, drawing and the canvas edge, and he constantly questions the relationship between the parts and the whole.
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