Frédéric Périmon

Mainly sculptures, his smooth and shiny works crystallize an ironic vision of a world where erotic impulses and Carrefour promotions inextricably overlap.

Striking illustration of his speech: his series of high-heeled ankle boots, in brightly colored plastic, incorporating with disconcerting obviousness here a robot-mixer, there a solex motor… So many interfaces exhilarating the viewer with a possibility of control total on these objects of desire.

These works are set up as allegories of our relationship to the world, relationship to others, relationship to oneself… And they effectively challenge us by the close interweaving of all the paradoxes that inhabit them: dreamlike / mechanical, functional / artistic, living / dead , decoration / reflection, masculine / feminine, being / appearing ... beyond the questions about the role and the status of art that cannot fail to inspire the manic care taken in the realization of these "machines to be To ask questions " .

He therefore claims to give us a discourse of universal significance, by presenting us the small end of his singular lorgnette. And that is art ...