Armah

Armah's artistic process has something catalyzing. He thinks in images. He translates events, experiences, thoughts, and feelings directly and associatively into abstracted compositions without distorting fundamental conception and essence. An essential aspect that imparts a lifelike pragmatism to his works without robbing them of their metaphysical and spiritual potentials. This pragmatism and a constantly flowing, unforced inspiration always culminate in completed themes and serial overall concepts.

In Armah's work, one finds the essential intersections familiar from one's own life. Love and hate, joy and sorrow, selflessness and egomania. Depending on the viewer's personal constitution, they can discover those things that we have summarized in simple concepts such as material wealth and poverty and their function as a measure of human worth.

The contradictory paradigm in Armah's work: After considering perspectives, always tied to our individual personalities, the artist desires a second perspective. Forget your standpoint, your opinion, your personal experiences, and your ego, and do not attempt to find connections between the simple guiding ideas of the works and your complex personality. It is worth trying to see again with the eyes of a child, the eyes through which you once saw when the attributes of your personality that led to your placement in this society were still forming.