Pitre Vs Pollock, 2025
L'artiste Pitre  

Print : Digital color print · 68 x 65 x 4 cm 26.8 x 25.6 x 1.6 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Print : numbered and limited to 5 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cminch )

68 x 65 x 4 cm 26.8 x 25.6 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description

Printed on Forex, 3D mounted. This intriguing work combines an abstract painting in the style of Jackson Pollock with a three-dimensional sculptural installation. The painting, filled with vibrant colors and splashed paint patterns, immediately captures attention with its dynamic energy. Below, realistic bluebird sculptures are perched on a red safety rope, like guardians watching over the art. The birds add a lively and almost humorous dimension to the work, transforming the space into a mini-gallery watched over by wildlife. The contrast between the abstraction of the painting and the tangibility of the sculptures creates a captivating visual tension. Meticulous details, such as the gilded posts and mosaic pieces on the floor, further enrich the work, uniting classical and contemporary artistic elements. The arrangement engages the viewer in a reflection on observation and interaction with art.

Street art

Animal

Pop Art

Jackson Pollock

Museum

Pigeons

Yellow

Red

France

Presentation


The Pître Artist is a painter and sculptor who has been active in Paris for about twenty years. A darling of the Île-de-France art scene for his creative madness, his vibrant exhibition openings, and his improbable costumes, he consistently brings a whimsical and comical vision to everything he touches. A devotee of sprawling collections, with hundreds of original, three-dimensional creations to his name, he surprises us with exuberant ephemeral installations and unsettles us with disconcerting sculptures. Hyper-productive, he always makes sure to take off and land where he's least expected. If you tell him that "ART is DEAD," he'll take offense and draw and create a warning sign for you: because with him—perhaps—"THE RAY BITES!" QED?


Completely self-taught, the artist PITRE has never stopped teasing the paintbrush. From the first scribbles in the margins of his poems on his school notebooks, to his first youthful works on washing machine packaging cardboard, his first cuts with a box cutter in the linoleum of his room (to make his mother scream), his first paintings, copies and parodies of Master paintings… he owes his know-how and style only to his experiments, his attempts, his research, his failures and the tenacious continuity of his practice.

His studies, experiences and diplomas in the world of theatre - for 15 years - have allowed him to add to his bow this incredible inventiveness of spatial arrangement, decorum, costumes, sense of spectacle in his compositions as much as in his opening-fairs, where animation and thematic folklore flourish and contribute to the joyful chaos of his "improbable" exhibitions... indescribable.

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