Japon, 1976
Raymond Hains   Master Artists

Print : Screen Print · 84 x 59.8 x 0.1 cm 33.1 x 23.5 x 0 inch

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About the artwork

Type

Print : numbered and limited to 120 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

84 x 59.8 x 0.1 cm 33.1 x 23.5 x 0 inch Height x Width x Depth

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Credentials

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Description

This original silkscreen print by Raymond Hains is a strong and characteristic example of the artist's conceptual approach to image, text, and urban visual culture. From the portfolio La Biennale Éclatée (The Biennale Disbanded) 1976.

The silkscreen print is hand-signed, dated, and numbered in pencil in the lower right.

Sheet size approximately 100 × 70 cm.

Raymond Hains used ribbed glass to distort the covers of catalogues from various countries invited to the Biennales of 1964 and 1966 : Brazil, China, the United Kingdom, Spain, Japan, Israel, and the United States.

This silk screen is based on a Japan catague. 

Publisher : Galerie L'Elefante 1976.

Exposition : François Dufrêne - Raymond Hains : Une amitié entre l'art et les mots. Paris 2012.

The composition reflects Hains' long-standing fascination with typography, fragmentation, street imagery, and the poetic disruption of everyday visual language. Balancing abstraction and legibility, the work directly relates to his décollage practice and his engagement with torn posters, street signs, and layered urban surfaces.

Authenticity and provenance guaranteed.

Delivered with a certificate of authenticity.

Worldwide shipping, tax-friendly to the USA and EU countries.

Custom handmade framing available on request.

Abstract

Abstract art

Black

Raymond Hains, Japon

Raymond Hains

France  • 1926  - 2005

Presentation

Raymond Hains (9 November 1926 - 28 October 2005) was a French artist and photographer. Raymond Hains is a master of virtual reality. He is an internationally recognized artist who has been standing out since the '50s through his unique vision of the world. The image and the text are at the center of his practice.

The artist tries to demonstrate that everything is a sign, whether it be names of people, places, their photos or pictures referring to them indirectly (by analogy, by homophony, etc). And as he has a great sense of humor and a sense of wonder, he offers us his version of the facts as a child would imposes his point of view in front of the adults: with a poetic touch.

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