Bronze Sculpture for Sale
Pan, 2026
Sculpture : ceramic · 11 x 11 x 10 cm 4.3 x 4.3 x 3.9 inch
€400
400 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 18
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
11 x 11 x 10 cm 4.3 x 4.3 x 3.9 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This ceramic sculpture explores the boundary between figure and abstraction. The face emerges from the white material with a striking fragility. The artist's gesture remains visible. It shapes successive strata that evoke deposits of memory.
The form oscillates between presence and disappearance. Some features remain suggested, while others fade into an unstable balance. Organic elements escape from the top of the skull. They create an airy, almost floating movement that guides the eye toward the contours of the piece.
The approach favors suggestion rather than narration. This creation presents itself as a fragment, a threshold. It invites slow and attentive observation. The monochrome whiteness unifies the composition and accentuates the plays of shadow and light on the reliefs. The object, made in 2026, is defined by this tension between anatomical structure and formal decomposition.
Presentation
Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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