Interno, 2026
Sculpture : marble · 32 x 13 x 24 cm 12.6 x 5.1 x 9.4 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 120
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Engraved signature
Technique & Support
marble , without pedestal
Dimensions ( cm • inch )
32 x 13 x 24 cm 12.6 x 5.1 x 9.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
This striking marble sculpture is a masterpiece of abstraction and form. Carved from a single block of marble, it embodies fluidity, featuring smooth, rolling contours juxtaposed against sharp, angular facets. The interplay of light and shadow across its surface enhances its dynamic quality, inviting viewers to engage from multiple angles. The faces appear to emerge organically, evoking a sense of movement and transformation. The choice of marble not only contributes to the work's elegance and timelessness but also emphasizes its subtle textures and craftsmanship. This sculpture challenges perception, merging geometric precision with organic fluidity, making it a captivating focal point in any space. Ideal for connoisseurs of modern art, it exemplifies a blend of technical skill and innovative vision.
Presentation
Ege Kolcu (b. 1994, Istanbul) is a contemporary sculptor based between Carrara, Istanbul, and Bodrum. Born deaf, Kolcu approaches sculpture with a heightened sense of visual and tactile awareness, beautifully translating the invisible concepts of sound, silence, and human perception into physical form.
Working primarily with Carrara marble, bronze, and stone, his practice oscillates between abstraction and the human figure. His elegant forms emerge through subtraction—a process of listening to the stone rather than imposing a shape upon it. Kolcu’s work frequently explores thresholds: the tension between body and void, weight and suspension, presence and disappearance. Recurring motifs like open frames, hands, and architectural fragments suggest both containment and release.
Conceptually restrained and deeply rooted in material discipline, his sculptures resist spectacle, proposing stillness as an active force. Through surface, gravity, and proportion, Kolcu constructs spaces where silence becomes visible, and where form persists as the poetic trace of what has been removed.
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