Untitled 25-OP0008, 2013
MOTU Christian Steyrl  

Painting : acrylic, pastel, mixed media · 125 x 90 x 3 cm 49.2 x 35.4 x 1.2 inch · Ready to hang

€6,300 6 300 €

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Shipped from: Germany

Delivery to: France Free delivery

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

125 x 90 x 3 cm 49.2 x 35.4 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The painting depicts a vibrant abstract composition in which two horizontal rows of large, white, loop-like brushstrokes are superimposed upon a coloured surface. Reddish-purple areas shimmer through beneath the white brushstrokes. The green background is dynamic, with visible drips and open, gestural layers. The combination of floral traces of colour, dynamic drippings and the dominant white loops creates a work that oscillates between veiled nature and expressive abstraction. On the reverse, the artist has titled the painting 'Dahlien'.

MOTU Christian Steyrl, Untitled 25-OP0008
Austria

Presentation

Motu Christian Steyrl is an Austrian conceptual artist whose work has occupied a distinctive, experimental position within contemporary art since the early 2000s. Under the artist name Motu, he has developed a multifaceted body of work that encompasses painting, sculpture, installation, video, performance and architectural interventions. His projects revolve around transformation, the search for traces, intervention and the revelation of hidden structures – often employing a striking, almost archaeological visual language.

He is particularly well known for his ongoing series ‘motu is digging your world’, in which the motif of digging, opening up and uncovering takes centre stage as an artistic act. Alongside this, he creates extensive bodies of work such as ‘motuland’, ‘the achromatic tracks’, ‘gebiete’ and numerous conceptual machines, readymades and mixed-media works. Motu’s projects oscillate between poetic abstraction and precise conceptual frameworks; they combine physical action with intellectual cartography.

Since the 2000s, Motu has presented his work in a variety of formats – ranging from exhibitions and performances to site-specific installations. His work is characterised by a consistent exploration of central themes: space, materiality, process and the question of how art intervenes in perception and the environment.

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