Self-portrait. The Golden age, 2025
Andru Suarez Rojas  

Painting : Watercolour · 21.8 x 17 x 0.3 cm 8.6 x 6.7 x 0.1 inch

€719 719 €

One of the last works available by this artist

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Shipped from: Colombia

Delivery to: France , € 135

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

21.8 x 17 x 0.3 cm 8.6 x 6.7 x 0.1 inch Height x Width x Depth

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Description

A contemplative figure anchors this dreamlike scene. The gaze is steady and searching. Hands cradle the face in a gesture of deep introspection. This artwork blends surrealist influence with a delicate, illustrative precision. The composition inhabits a quiet non-place where time seems suspended. 
Symbolism permeates the surroundings. A rabbit and a cat stand as silent witnesses on the table. These anthropomorphic figures draw from ancient myths and folk poetry. They represent fluid identities and cultural bridges. A miniature clock and a cup of tea suggest a ritual of waiting. 
The background expands the narrative. A portrait reflects a distant ancestral presence. A window reveals a modern architectural silhouette under a pale moon. This juxtaposition creates a bridge between Victorian aesthetics and contemporary reality. The soft textures and muted tones invite the viewer into a private world of memory. Every object serves as a vessel for history. The narrative concludes with the subtle presence of everyday items, grounding the ethereal atmosphere in a tactile, human experience.

Andru Suárez Rojas (b. 1994, Barrancas, Colombia) is a contemporary artist who explores folklore through staged compositions that interrogate identity, transvestism, and time. His work constructs dreamlike, "non-place" environments dedicated to preserving history and memory by synthesizing the Surrealist legacy of Leonora Carrington, Remedios Varo, and Frida Kahlo with the delicate illustrative sensibilities of Beatrix Potter. Rejecting modern pop culture, Suárez Rojas roots his anthropomorphic figures in ancient mythology, literature, and everyday scenes. Within Victorian landscapes that engage in deliberate aesthetic globalization and artistic hybridization, rabbits symbolize transvestism through the narrative of The Ballad of Mulan, while cats channel the Egyptian goddess Bastet as cultural bridges. Amidst these complex thematic dialogues, native South American animals, such as the capybara, embody a serene and quiet observation.

From the More from this artist
Signed lower front by the artist
Unframed

Andru Suarez Rojas, Self-portrait. The Golden age
Colombia  • 1994

Presentation

Andru Suárez Rojas (b. 1994, Barrancas, La Guajira, Colombia) is a contemporary artist whose work explores the concept of folklore through staged settings and compositions that interrogate identity, transvestism, and time.

Suárez Rojas creates dreamlike, "non-place" environments that evoke the human capacity for preserving histories and memories. His visual language is deeply influenced by the visionary legacy of Surrealist artists Leonora Carrington, Remedios Varo, and Frida Kahlo, seamlessly interwoven with the delicate watercolor sensibilities of British illustrator Beatrix Potter.

Literature and everyday scenes serve as foundational pillars for his compositions. Rather than drawing from modern pop culture, the artist's anthropomorphic creatures are rooted in ancient mythologies and folklore:

The Rabbits: While easily mistaken for references to Alice in Wonderland, their presence is intrinsically linked to the concept of transvestism. They find their origin in The Ballad of Mulan, the historic Chinese folk poem detailing a woman who disguises herself as a man to take her father's place in the military.

The Cats: These figures evoke the manifestation of the Egyptian goddess Bastet, acting as a bridge between distinct cultural traditions.

By positioning these symbolic animals within Victorian-inspired landscapes, Suárez Rojas engages in a deliberate process of aesthetic globalization and artistic hybridization. Furthermore, native South American animals, such as the capybara, appear sporadically throughout his work, embodying a sense of serene, quiet observation amidst these complex thematic dialogues.

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