1957 Abstraction 2, 1957
Kam Zin Choon

Painting : mixed media

63 x 48 x 0.5 cm 24.8 x 18.9 x 0.2 inch

€9,950

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

63 x 48 x 0.5 cm 24.8 x 18.9 x 0.2 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: France

ECOLE DE PARIS d'Après-Guerre (1945-1999)
Post-War ECOLE DE PARIS (1945-1999)
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About the seller

GALERIE LISE CORMERY • France

Artsper seller since 2020

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Imagine it at home

Kam Zin Choon, 1957 Abstraction 2
Singapore  • 1931

Presentation

Kam Zin Choon (1931, Singapour) 甘仁村 belongs to the Post War Ecole de Paris. ' Kam Zin Choon is a Chinese from Singapore, he studies at the Nanyang Academy of Fine Arts Singapore and at the Royal College of London. Thanks to a scholarship from a group of wealthy patrons he arrives in Paris in February 1952. He studies at Beaux-Arts in Paris from 1952 until 1959 and will have many Solo Shows in Paris and in Europe. The famous Raymond Duncan organizes him Solo Shows in his Paris Gallery, 31, rue de Seine, and his New York Gallery, 22 East 72nd Street New York, from 1952 until his return to his country, in 1959. At that time Duncan shows as well the Austrian painter Hundertwasser and the painter Lu Chong Min, from Singapore. Raymond Duncan  historical "Exposition d'art contemporain" in 1952 provokes hostile reactions, the window of his gallery is broken with stones. But, let's not forget that during these years René Drouin goes bankrupt since he shows the art of Klee and Kandinsky.

In Paris, Kam Zin Choon excels with Figurative or Abstract art, and according to his mood, with an Oriental inspiration, like "The Rice Fields" or "The Forbidden City", or with a Western classical Beaux-Arts style, when he draws series of "Nude Parisians". 

Kam Zin Choon explores cubist subjects with "Banjo Player" or works intensely on Abstraction art, with "Abstraction I" and "Abstraction II". Kam Zin Choon  excels as well with gorgeous inks where the mastering of Oriental art of calligraphy and ink mixes with a modern and western spirit, such as with his "bestiary". His horses are so alive, more vivid than a Xu Beihong, indeed his horses are like running on the paper, such as in "Horses races", and his " Boats Races" opens the world of our imagination.'         

COLLECTIONS Centre Pompidou Musée national d'art Moderne, Malaysian Embassy Paris, Cernuschi Museum Paris - Smithsonian American Art, Museum National Portrait, Gallery Library - Commonweath Institute London, Ashmolean Museum Oxford, Malaysian High Commission, London - International Student's Association Stockholm Sweden - Memning Town Hall, Germany - Fine Arts School, Lucerne Suisse - Hotel Torni, Helsinki - Cathay Building Nanyang Singapore University.

Solo Shows Expositions  1952 1959 Galerie Raymond Duncan, Paris 31, rue de Seine, 1956 Galerie Raymond & Ligoa Duncan Gallery, 22 East 72nd Street New York, USA, Singapore Art Society, 1954, 1958, 1966 Show & Affiche Galerie Memmingen, Bavière, Allemagne, 1956 Commonweath Institute in London, 1956 Hufvudstadsbcadet, Helsinki, Finlande, 1956 Helsingin Sanomat, Helsinki, 1956 Galerie Dome, Copenhagen, Copenhague, Danemark, 1957 Show & Affiche Galerie des Quatre Vents, rue Gozlin, Paris. 

Bibliographie Bibliography The Straits Times, December 15, 1953 Praeger book, Art of China, Korea, and Japan by Peter Swann, 1963 New Yorker Magazine, New York, 1964 

Critiques d'art : S. Saarikivi, Helsingin Sanomat, Helsinki, 1956 E.K. Hufvudstadsbcadet, Helsinki, Finlande, 1956 Jan Zibrandken, Galerie Dome, Copenhague, Danemark, 1957

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