Bronze Sculpture for Sale
Painting : acrylic, Stencil
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch
One of the last works available by this artist
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Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
This is where the series stops being polite. is the first piece to fully fuse the totem and the glyph systems into one charged, layered figure — proving Stoz's language can get aggressive without losing its signature. It rewards the collectors who followed the first two steps and opens a higher price tier.
This is the mark! Recognize it once, recognize it everywhere.
A frontal glyph-totem in pure black line on a clean white ground, but the calm of the earlier pieces is gone. The totem's mask-like core is now pierced and rebuilt by wildstyle glyph fragments — sharp arrows, interlocking blades, and fractured letter-shapes that cut through the silhouette instead of sitting beside it. The figure looks like it was struck and reassembled in motion.
The crown explodes into a cluster of directional glyph spikes. The gaze structure splinters into hard angular shards. The grounded base from the first two pieces now grips the composition like roots under tension. This is the totem mid-transformation — the moment the ritual breaks open and the street language floods in.
About the seller
MoBe Art Gallery Art Collector • Italy
Artsper seller since 2017
Vetted Seller
Top Seller
This seller rewards your purchases of multiple artworks
Born in Milan in 1998, Marco Stazzini — known as Stoz — has developed one of the most visually distinct voices to emerge from Italy'scontemporary art scene in recent years. Trained at the Brera Academy, he brings an unusual combination to his practice: the raw energy of street art culture and the compositional discipline of formal fine art education. The result is a body of work that feels both immediate and considered.
Color is the foundation of everything Stoz makes. Bold gradients move across his canvases with a tension that is hard to ignore — layered, saturated, and emotionally loaded. His paintings carry a sense of depth that rewards extended looking, shifting between graphic clarity and painterly complexity depending on how closely you engage with them. Each work has presence. Each one holds a room.
His practice extends beyond painting into sculpture, where he applies the same chromatic intensity and urban sensibility to three-dimensional form. Female figures, abstracted and adorned with intricate surface patterns, extend his visual language into physical space, creating a dialogue between canvas and object that strengthens the coherence of his overall output.
Stoz is still early in his career. At 28, he already has a recognisable signature, a growing international following, and a track record of works that move. For collectors looking to acquire a distinctive voice while the work remains accessible, his combination of emotional energy, technical range, and strong visual identity makes him one of the more compelling emerging figures in contemporary Italian art right now.
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