Bronze Sculpture for Sale
Éventail, 2026
Painting : wood · 46.5 x 11.7 x 1.6 cm 18.3 x 4.6 x 0.6 inch
€510
510 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 30
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
46.5 x 11.7 x 1.6 cm 18.3 x 4.6 x 0.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The fan was born from the fragments left by the cutting of a previous marquetry. Rather than being discarded, these residual shapes were preserved and reassembled until a new balance appeared.
On a background of reddish charm, Macassar ebony draws a succession of dark, irregular, and almost calligraphic silhouettes. In the lower part, the long radiating shapes evoke a fan opening and give its title to the work.
This composition belongs to the series of "Negatives": pieces that find their origin in a figurative work, but whose reading becomes entirely independent. The fragments no longer tell the subject they come from; they become lines, voids, tensions and rhythms, until forming a new work.
Presentation
Anthony Merlo is a French art marketer, founder of Atelier Merlo. He develops a contemporary practice of marquetry in which wood becomes a true pictorial medium.
After nearly ten years of practice and personal research into marquetry, Anthony Merlo decides in 2026 to dedicate himself fully to it. Primarily self-taught, he has progressively appropriated this traditional know-how to develop a language that is his own.
Starting from veneers from numerous wood species, natural or stained, he composes his works through cutting and assembly. Each fragment is chosen for its color, grain, and reflections, as a painter would choose his pigments. The material is thus never a mere support: it fully participates in the drawing, the light, and the depth of the work.
His universe draws largely from nature and the marine world. Between reality and plastic interpretation, his marquetry is born from the meeting of two invisibles: the wood under the bark and life beneath the water's surface.
Animals, underwater landscapes, plants, and organic forms thus become the starting point for compositions where the material, the color, and the grain of the wood fully participate in the interpretation of the subject.
Another part of his work is born directly from the creation process of his figurative works. From the veneer scraps resulting from the cutting, Anthony Merlo composes more abstract works, which he calls his "Negatives".
If they retain the traces, shapes, and colors of the work from which they originate, these compositions detach themselves to become works in their own right, conceived to exist autonomously. Reassembled, the fragments reveal a new reading of the material and the gesture: the abstract essence of a figurative work, where the constraint inherited from the cutting becomes composition freedom.
Through this approach, Anthony Merlo seeks to move marquetry out of its traditional register to place it in the field of contemporary art, while preserving what makes this technique unique: the richness of the wood, the manual work, and the unique character of each piece.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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