Poignée de Porte - Le Havre, 2017
Yves Bélorgey   Master Artists

Fine Art Drawings : pencil · 81 x 121 cm 31.9 x 47.6 inch · Ready to hang

€7,500 7 500 €

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Shipped from: France

Delivery to: France , € 200

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

pencil on paper

Dimensions ( cminch )

81 x 121 cm 31.9 x 47.6 inch Height x Width x Depth

Artwork dimensions including frame

85.8 x 126.5 cm 33.8 x 49.8 inch

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Credentials

Vetted seller since 2017 • Top Seller

Description
Poignée de Porte - Le Havre
February 2017
Graphite on paper

Since the 1990s, Yves Belorgey focuses on architectural modernism by representing the urban landscape. His paintings and drawings incorporate a rich and polymorphic visual, which surpasses mere objective documentation of modernist residential architecture. Through his paintings and drawings, the artist confronts collective architecture, according to its many potentialities for particular expression: he paints these landscapes both as places in which the “social body” undergoes training, and as an inventory of forms in which the "corpulent" presence of the surface of his canvases infallibly recalls the historical gauntlet of Modern painting.
Yves Bélorgey, Poignée de Porte - Le Havre
France  • 1960

Presentation

Since the 1990s, Yves Belorgey focuses on architectural modernism by representing the urban landscape. His paintings and drawings incorporate a rich and polymorphic visual, which surpasses mere objective documentation of modernist residential architecture. 

Through his paintings and drawings, the artist confronts collective architecture, according to its many potentialities for particular expression: he paints these landscapes both as places in which the “social body" undergoes training, and as an inventory of forms in which the "corpulent" presence of the surface of his canvases infallibly recalls the historical gauntlet of Modern painting.

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