Bronze Sculpture for Sale
Fragmentos de una Época: La Dama Texaco, 2026
Print : digital art, giclée, AI image · 59 x 59 x 5 cm 23.2 x 23.2 x 2 inch
€250
250 €
Shipping & delivery
Shipped from: Spain
Delivery to: France , € 30
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digital art , giclée , AI image on canvas
Dimensions ( cm • inch )
59 x 59 x 5 cm 23.2 x 23.2 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025
Description
This artwork presents a fascinating juxtaposition of vintage advertisement and classical portraiture. The piece features a beautiful woman draped in translucent fabric, exuding elegance and timeless allure. Overlaid is a bold, graphic text promoting "Aceite Texaco Para Motores," blending commercial and fine art elements. The artwork's distressed texture, with deliberate holes and rough edges, suggests weathered metal, evoking nostalgia and history. This intentional decay contrasts with the figure's serene expression, creating tension and intrigue. The piece uniquely captures the intersection of commerce and beauty, provoking reflection on cultural and artistic values.
Presentation
Kadir López Nieves
Kadir López Nieves (Las Tunas, Cuba, 1972) es una de las voces más sólidas del arte cubano contemporáneo, reconocido por una práctica que une pintura, objeto, instalación y lenguaje urbano con una sensibilidad histórica muy particular. Formado dentro de la tradición académica y el conceptualismo del Instituto Superior de Arte (ISA) en La Habana—, su obra parte de un dominio riguroso del dibujo, la acuarela, el acrílico y el óleo para expandirse luego hacia medios contemporáneos, materiales encontrados y estrategias de apropiación visual.
En el centro de su trabajo aparece el tiempo: Concepto universal donde pasado, presente y futuro se mezclan, no como nostalgia, sino como una lectura crítica y poética de lo que permanece. Sus obras suelen superponer rastros, signos y “restos" culturales —desde superficies intervenidas hasta señalética y soportes industriales— para construir una realidad estratificada, hecha de memoria, ciudad e identidad.
Una parte esencial de su lenguaje visual se apoya en la idea de lo perpetuo : historias distintas coexistiendo en un mismo plano, dialogando y tensándose. En ese cruce, Kadir trabaja como observador y participante a la vez, alternando entre lo pictórico y lo urbano, lo íntimo y lo colectivo. El resultado es una obra ambigua y reveladora: crítica y a la vez luminosa, consciente de las fracturas, y aun así abierta a la esperanza.
Su trayectoria refleja una presencia sostenida en el escenario del arte contemporáneo , con participación en exposiciones y proyectos internacionales y vínculos con espacios de referencia del arte hispanoamericano
Kadir López Nieves (Las Tunas, Cuba, 1972). Artista visual cubano.
Formación: Escuela Elemental de Arte “El Cucalambé" (Las Tunas); Escuela Profesional de Arte (Camagüey); Instituto Superior de Arte (ISA), La Habana (1990–1995).
Medios: pintura (acuarela, acrílico), técnica mixta, objeto/instalación; uso de materiales no tradicionales y recursos urbanos (incluyendo piezas en metal, y exploraciones vinculadas a neón en parte de su producción).
Líneas temáticas: memoria, historia, ciudad, identidad; reflexión sobre el tiempo y la continuidad de relatos.
Presencia y exhibición: Trayectoria documentada en circuitos de arte contemporáneos y en plataformas y galerías de alcance global
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All our reviews are extracted from Verified Reviews
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