Rêverie aux oiseaux, 2026
Fine Art Drawings : ink, paper, ballpoint pen, gold leaf, collage · 60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 90
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This circular work in tondo plunges the viewer into an atmosphere of sweet nostalgia where time seems suspended. In the center, a portrait of great delicacy, finely executed with Bic pen and ink, emerges from a textured background of collages and palimpsests of ancient texts. The child's gaze, turned towards the sky with an expression of wonder or sweet daydreaming, responds to the silhouette of two birds in full flight.
The fragments of period texts and the delicate splinters of gold leaves at the bottom of the panel evoke the fragility of memory and the poetry of the intimate. Although the work presents great visual depth and a richness of juxtaposed textures, its surface remains entirely melted, almost erased, accentuating the spectral and dreamlike aspect of this graphic apparition.
Presentation
Aurélie Salvaing focuses on subtitling life. She thus draws portraits and attitudes in ink and ballpoint pen on backgrounds created from fragments of books and maps. She invites viewers to experience different depths. Each of her works seems to hold a secret door that opens onto poetic and sensitive interior landscapes.
Initially, she had fun sketching lawyers, for whom she was doing research, on books destined for destruction and which evoked their professions. The approach seemed promising to her, as words opened up new perspectives for drawings. Once she took flight, she maintained her attachment to texts and if her first works were elaborated solely on and by writings, she quickly emancipated herself and developed singular techniques by reinventing the palimpsest.
Her work presents itself as a visual exploration of remanence, this partial persistence of emotions, memories or impressions after their disappearance. The large formats exhibited embody this tension between evanescence and permanence, highlighting a very contemporary way of treating portraiture.
These works propose a plastic approach where figuration and abstraction meet. Faces, sometimes emerging or partially veiled, dialogue with textured materials, superpositions of layers, and fragments of writings. Each canvas translates the idea that certain traits or expressions, although ephemeral, continue to resonate and haunt our perception. This "contemporary writing"—understood here as a modern way of rewriting the portrait—anchors the subject in a temporality where traces of the past dialogue with the present.
Through their immersive power, these works invite the viewer to feel the impact of these visual and emotional resonances, while questioning how memory and emotion persist beyond the visible. They are visual journals where words, fragments of sentences or evanescent glyphs appear, almost by chance. These inscriptions, sometimes erased or partially visible, testify to the interaction between the conscious and the unconscious.
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