St. George, 2021
José Ignacio Suarez Solis  

Painting : acrylic · 129.8 x 140 x 0.3 cm 51.1 x 55.1 x 0.1 inch

€3,314 3 314 €
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Shipped from: Brazil

Delivery to: France , € 364

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic on canvas

Dimensions ( cminch )

129.8 x 140 x 0.3 cm 51.1 x 55.1 x 0.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2019 • Top Seller

Description

This dynamic artwork showcases an intriguing interplay of form and color, featuring abstract figures in a striking blue hue against a vivid background. The figures, with elongated limbs, appear intertwined, creating a sense of motion and tension. Bold stripes accentuate their forms, adding depth and rhythm to the composition. In the foreground, the figures are rendered with expressive, exaggerated gestures, suggesting a story of struggle or confrontation. The black and red background, punctuated by a distinct green element on the right, serves as a dramatic backdrop, intensifying the emotional impact. This juxtaposition of colors not only captures attention but also evokes a feeling of unease and curiosity. The artist's bold use of color and form challenges traditional interpretations, offering a thought-provoking exploration of human emotion and interaction.

Abstract

Portrait

Brazil

Colors

Figuration

Semi-abstract

Hands

José Ignacio Suarez Solis, St. George
Chile  • 1967

Presentation

Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.

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