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François Morellet

Born in: 1926

France

Artiste célèbre

Biography

François Morellet is a French contemporary artist, painter, engraver and sculptor, born on 30th April 1926 in Cholet (Maine-et-Loire).

Initially, the creator embarked on a short figurative period. Then, he became one of the major representatives of geometric abstraction, an art which was broken free from romanticism and under the influence of works by Pierre Dmitrienko. The artist adapted a pared-down geometric language, marked by Mondrian's example, made up of simple shapes, with limited color, assembled in two dimension elementary compositions. Morellet's world is very mathematical and reminds us of Dan Flavin's minimal work.

1952 onward, François Morellet began implementing his initial systems, under a pattern which was established in advance. The artist gives the impression of having control over creation, all the while leaving room for fate. In 1960, François Morellet created the Visual Art Research group (GRAV), with the following artists: Horacio Garcia Rossi, Julio Le Parc, Joël Stein, Francisco Sobrino and Jean-Pierre Yvaral. They redefined the boundaries of minimal and kinetic art with a social aim. 1963 onward, Morellet included neon in his work, by playing around with specifics( lighting intensity, instant lighting...)

After the events of May 68, the group wound up. Little later, François Morellet invented his own way of exhibition, by laying frames of black adhesive tape on various areas and mediums (like the sculptures of the Beaux Arts Museum in Nantes). Research and experimental process took precedence over the masterpiece. Whereas until now, he preferred straight lines. Morellet included curves in his work, with the Grotesques and Lunatiques series.

The retrospectives of the artist are part of major institutions like the Centre Pompidou (2011), La Monnaie de Paris (2016)… The installations of the artist are all over museums, like the one of Beaux Arts Anger in 2002, or Nantes in 2008.

In 2010, one of the artist's creations became part of the Louvre permanently. It is presented in the Lefuel staircase, north wing of Richelieu. The geometric lines of the stained-glass are unbalanced " I hope having created a discreet and absurd chaos, which could put a smile across the faces of visitors, in my own way, and not being blindly obvious about the rest, so that they don't stumble on the stairs". An artistic discrepancy, completely in keeping with the demystification effect of the artist.


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François Morellet, Trames auto-tamponneuses n°1, Print

François Morellet

Trames auto-tamponneuses n°1, 2011
60 x 60 cm
Print

€2 650

In time for Christmas
François Morellet, 3 simples trames, Print

François Morellet

3 simples trames, 1959
62 x 62 cm
Print

€1 500

In time for Christmas
François Morellet, 2 trames de chevrons-négatif, Print

François Morellet

2 trames de chevrons-négatif, 1960
62 x 62 cm
Print

€1 500

In time for Christmas
François Morellet, 2 trames de chevrons-positif, Print

François Morellet

2 trames de chevrons-positif, 1960
62 x 62 cm
Print

€1 500

In time for Christmas
François Morellet, 2 trames de tirets-négatif, Print

François Morellet

2 trames de tirets-négatif, 1960
62 x 62 cm
Print

€1 500

In time for Christmas
François Morellet, Systèmes, hasard et téléphone , Print

François Morellet

Systèmes, hasard et téléphone , 1997
90 x 100 cm
Print

€4 500

In time for Christmas
François Morellet, Pi rococo 1=30°, Print

François Morellet

Pi rococo 1=30°, 2003
29 x 33 x 1 cm
Print

€2 500

In time for Christmas
François Morellet, 2 trames de tirets-positif, Print

François Morellet

2 trames de tirets-positif, 1960
62 x 62 cm
Print

€1 500

François Morellet, Pi Coloré, Print

François Morellet

Pi Coloré, 2001
40 x 120 x 2 cm
Print

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