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Philippe Ringot, Pelargonium I

Philippe Ringot Pelargonium I, 2019

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One of the last works available by this artist

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Philippe Ringot, Pelargonium I
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Informations about this artwork
  • Medium

    Photography : cyanotype

  • Dimensions cm | inch

    27.6 x 19.7 inch

  • Support

    Photography on fine art paper

  • Framing

    Black wood frame

  • Artwork dimensions including frame

    29.1 x 21.3 inch

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Offered by the gallery

    Kahn Gallery
    London - United Kingdom

  • About the artwork

    Artwork sold in perfect condition

    Ink on shadowgraph/cyanotype on Fabriano Rosaspina paper
    Unique artwork.
    Read more
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Philippe Ringot

France Born in: 1979
Translation in progress

Philippe Ringot is a french artist based in Lille, in the north
of the country. Originally a psychoanalyst, he turned to photography, first as
a hobby. He then became aware of the potentials of the medium and decided to
dedicate himself to it in a more professional capacity. He has however kept his
practice as an analyst and his artistic and psychoanalytic works inform each

Philippe Ringot's works are cyanotypes, or in other words photographic blueprints, a
technique historically used to easily duplicate photographs or drawings.
However, ringot reinvests the technique to give it a more modern twist. Using
all the potential of the medium, he creates powerful contrasts in tones,
overlap images or makes the ink drip. The process endows the photographs with a
ghostly aura that has a strong evocative power.

is not uninteresting to link Ringot's photographic exploration to his practice
as an analyst. In a couple of seascapes, Ringot shows the sea as a dark mass,
overflowing the image, somehow leaking. This could be interpreted as a
representation of the repressed desires making their way to the surface of
consciousness. Some works consist in an overlap of similar images, in others
the photographs are merely juxtaposed in what appear to be a random order. This
could point to the way truth is reached in an analysis : by unearthing the link
between seemingly disconnected ideas.

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Philippe Ringot, Pelargonium I
Philippe Ringot, Pelargonium I Philippe Ringot, Pelargonium I