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Giorgio de Chirico, Cavallo e Trovatore

Giorgio de Chirico Cavallo e Trovatore, 1969

View in a room Print 11.8 x 10 x 0.1 inch

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Giorgio de Chirico, Cavallo e Trovatore
Description
  • Offered by the gallery

    Wallector Srl
    Rome - Italy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Print : etching

  • Themes

    Animal

  • Support

    Print on paper

  • Type

    Numbered and limited to 100 copies

  • Dimensions cm | inch

    11.8 x 10 x 0.1 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    "Cavallo e Trovatore" is an original hand-signed etching realized by Giorgio de Chirico in 1969. This is an edition of 100 prints.

    It was published in the general catalogue "G. de Chirico: Catalogo dell'Opera Grafica 1921-1969", by Alfonso Ciranna, edizone "La Medusa", Roma, 1969, n. 171.

    Passepartout included: 50 x 40 cm.

    The widely renowned precursor of Surrealism was the Italian painter Giorgio de Chirico (1888-1978). De Chirico’s definitely ambiguous artworks of cityscapes are the most celebrated examples of a movement called Pittura Metafisica, or Metaphysical Painting.

    Artwork sold in perfect condition

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Giorgio de Chirico

Born in: 1888 Italy
Biography
Translation in progress

Giorgio de Chirico (1888-1978) était un peintre, sculpteur et écrivain italien inventeur de la peinture métaphysique placée sous le signe de la révélation.

Il s’installe en 1911 à Paris et fascine en premier lieu Guillaume Apollinaire qui, dès 1913, introduit l’artiste dans son cercle – Picasso, Derain, Max Jacob, Braque, Picabia, etc. – ainsi que Paul Guillaume, son premier marchand.

L’onirisme, la dimension prophétique, les subtiles incongruités et les décalages observés dans l’œuvre de Giorgio de Chirico ont, dès le début des années 20, d’immédiates résonances sur le surréalisme naissant, de Magritte, Ernst à Picabia et Eluard. André Breton voit en l’artiste le démiurge d’une « mythologie moderne » en formation (1920) avant de l’accuser de régressions anti-modernistes dès 1926.
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Giorgio de Chirico, Cavallo e Trovatore
Giorgio de Chirico, Cavallo e Trovatore