Nature Morte, 1981

by Yuri Kuper

Fine Art Drawings : pastel 10 x 20 cm

$1,355

One of the last works available by this artist

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9.6/10

About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Dimensions cm inch

10 x 20 cm Height x Width x Depth

Framing

Black wood frame with glass

Artwork dimensions including frame

25 x 35 cm


Tags

Artwork sold in perfect condition

Artwork location: France

Drawing, mixed technique signed by the artist Perfect condition.
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About the seller

Galerie Hus • France

Artsper seller since 2015

Vetted Seller


Collector’s Guide

Imagine it at home

Yuri Kuper, Nature Morte
Yuri Kuper

Yuri Kuper

Russian Federation  • 1940

Born in Moscow (USSR) in 1940, Yuri Kuper studied at the Moscow Art Academy. Major artist, painter, sculptor, decorator, Yuri Kuper - member of the Mémoires group - works around the idea of memory (individual and collective) and is interested in objects of everyday life - brushes, dishes, tools, etc. - which he presents as isolated vestiges of an ancient world. Yuri Kuper exhibits in Paris, New York, Berlin, Tel Aviv, Moscow, Brussels, Tokyo. On the occasion of the reopening of BochoÏ in 2007, Yuri Kuper created the costumes and sets for the opera of "Boris Godunov" by Mussorgsky. “There should be no intermediary between the viewer and the painting. The painting must hypnotize, in the same way that the surface of the thing contemplated hypnotized the painter ”. Yuri Kuper “Yuri Kuper is fascinating when he talks about his still lifes. He describes them entirely in technical terms. Any old object, in his most recent works, a brush, a palette knife, two small paint containers, one rectangular, the other square, can serve as a "theme"; everything else is surface rendered with breathtaking care, with extreme finesse. It's a familiar problem, the old problem of creating the image: how to build the illusion of a three-dimensional figure on a flat background, so that the background supports that illusion, instead of destroying it. This is a subtle task, and Kuper, who is a master of the art, does it better than anyone. Its finished object is highlighted, even when the surface merges with the apparently infinite background. Thus the surface of the object sometimes appears as a magnified detail of the background, especially since the painted objects are Kuper's working instruments, and they are covered with paint. In fact, they seem to emanate from the bottom, and this projection in space gives them a certain depth. Kuper is a modernist painter who walks along the border between gestural abstraction and geometric abstraction. »Donald Kuspit
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