Flora Fanzutti

Exploring the living matter of photography

The artist's work questions the limits of the photographic medium and the possible links to be activated between surface and depth.

Pierce the surface and the limits of the images to recognize this intrinsic porosity of the frame, of the world. Photography is considered a living, subjective material, similar to a human memory with which it becomes possible to dialogue.

This metamorphosis relationship with photography takes shape in the manual and physical intervention of the support, inviting accidents and chance to guide the artistic gesture throughout the process. Working directly on photosensitive material involves risking permanent loss in favor of a path to new territories.