Bronze Sculpture for Sale
Cheese bell, 2024
Fine Art Drawings : Watercolour, ink · 21 x 29 x 0.01 cm 8.3 x 11.4 x 0 inch · Ready to hang
€280
280 €
One of the last works available by this artist
Shipping & delivery
Shipped from: Germany
Delivery to: France , € 25
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , ink on paper
Dimensions ( cm • inch )
21 x 29 x 0.01 cm 8.3 x 11.4 x 0 inch Height x Width x Depth
Artwork dimensions including frame
50 x 30 x 1 cm 19.7 x 11.8 x 0.4 inch
Sold by
Art gallery
Professional art gallery • Germany
Credentials
Vetted seller since 2025
Description
The "Käseglocke" (German for "cheese bell") is a distinctive, dome-shaped building located in the artists' colony of Worpswede, Lower Saxony, Germany. Constructed in 1926 by writer and graphic artist Edwin Koenemann, the design was based on plans by renowned architect Bruno Taut. The building earned its nickname due to its resemblance to a traditional cheese cover.
The structure features a bell-shaped wooden exterior resting on a concrete foundation, with a diameter of approximately ten meters and a living area of about 130 square meters. The central hall, heated by a fireplace, serves as the focal point, surrounded by a bedroom, kitchen, and small toilet on the ground floor. The upper floor houses two small guest rooms and a larger studio space.
After Koenemann's death in 1960, his wife Editha continued to reside in the house until her passing in 1993. In 1994, the association "Freunde Worpswedes e.V." acquired the building, and following extensive renovations, it was reopened in 2001 as a museum dedicated to applied arts and crafts. The museum showcases a collection of handicrafts, including original pieces of glass, ceramics, metalwork, weavings, porcelain, and furniture by artists such as Heinrich Vogeler and Bernhard Hoetger.
As of April 2025, the Käseglocke is open to visitors on Saturdays, Sundays, and Mondays from 1 PM to 5 PM. During the winter months, until March 30, it operates from 1 PM to 4 PM. The entrance fees are €4 for adults, €2 for students and individuals with disabilities, and €1 for schoolchildren.
This architecturally unique building stands as a testament to early 20th-century experimental design and continues to celebrate the rich artistic heritage of Worpswede
Presentation
Yulia Pugashova was born on May 24, 1983 in Petropavlovsk-Kamchatsky. Even as a child, she was surrounded by the beauty of nature: from her window she could see the bay and a volcano, which became the main motifs of her first drawings. Another recurring theme of her works, like many girls, were beautiful princesses. In kindergarten, she painted for her playmates, and her drawings were in great demand.
After an exhibition in the kindergarten, the teacher talked to her mother and said that Julia had great talent and should definitely go to an art school. At the age of 11, Julia was taken to the entrance exam to the art school, where she studied for the next four years. In the second year, she took part in a competition on the theme of space, and her work was published in the Moscow magazine "Young Artist". However, in the third year of her art school studies, an incident occurred that left its mark on her further artistic career. In sculpture lessons, which she had always particularly liked, Julia created a three-figure composition based on the story "The Dwarf Nose". When the works were examined by a jury, one of the lecturers said that an artist should depict beauty, not ugliness. For this work, Julia received only a three, which left a deep impression on her.
Her first solo exhibition was at the Institute of Art, where she was in her third year of study. It was a series of graphic portraits made using different techniques and from different perspectives. It was then that she realised that she had a particular talent for drawing people and that she was particularly good at it.
In 2009-2010, Julia created a series of graphic works entitled "City", which were first exhibited at the Institute of Art and later at the Novosibirsk State Historical Museum. After this exhibition, she worked for a while with the museum
together, illustrated two books for them and drew a map of the permanent exhibition. Julia describes herself as a graphic artist and prefers realism and mixed media techniques. In 2013, while working on the series "Signs of the Zodiac", she realized that Art Nouveau was particularly close to her. She considers human beauty and the architectural landscape to be the main themes of her art. She admires people's individuality, likes to observe them and reflects her inner world in her works. Urban landscapes are also a source of inspiration for her: streets, windows, shop windows, cracks in the asphalt - all of this comes to life in her paintings and is charged with meaning.
Julia's most important works include the "City" series, the "Zodiac Signs" series and the "Winds of Change" interior doll. This doll was created during the period when she was intensively engaged in artistic dolls and ultimately turned out to be a self-portrait.
Julia sees the role of the artist as a kind of mediator through which embodied images enter the world. The subjects an artist chooses are always socially relevant, and consciously or unconsciously he conveys not only external reality but also himself through his work. This is why it is so exciting and often frightening for artists to present their work to the public - it is like baring a piece of one's soul.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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