From The Series Terms and Conditions 2.0. Chinese ink on Fabriano paper 250 g. Tinted Popped wood Frame.
The project is based on the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the change in the use of the image, to reflect on how some languages disappear due to globalization and new ones emerge with unified visual parameters. Formerly the stamps told stories from a country, a place through their image, nowadays the air waybill is a contract with terms and conditions. Images from different times are presented, to display the evolution of the technique and the themes that were used. The artist finds in drawing a way to explore the relevance of detail in the construction of images, objects, and spaces. The repetition of tiny elements such as the line in a drawing leads to the construction of complex universes where that detail acquires value and becomes the basic unit, like the brick in a wall. The gesture of the repetition of small elements and the time invested in doing it is used as a tool to give "value" to the images that are constructed.
This artwork presents a compelling exploration of modern communication and logistics, featuring a FedEx receipt intricately framed. The monochrome text contrasts sharply with the vibrant, multicolored FedEx logo, drawing immediate focus. The QR code and barcodes imbue a sense of digital interaction, inviting viewers to contemplate the intersection of technology and daily life. Set against a neutral fabric backdrop and encased in an understated wooden frame, the composition emphasizes the mundane yet essential nature of such documents. By showcasing an everyday object as art, this piece challenges conventional perceptions of value and significance, urging reflection on the overlooked components of modern society. The precise arrangement and choice of materials accentuate the artwork’s conceptual depth, making it a striking commentary on contemporary culture.