Frisson d'hiver - Mallarme, 1908
Fine Art Drawings : pencil · 31 x 21 x 1 cm 12.2 x 8.3 x 0.4 inch
€2,600
2 600 €
One of the last works available by this artist
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Shipped from: Italy
Delivery to: Italy , € 29
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
31 x 21 x 1 cm 12.2 x 8.3 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
Pencil drawing on paper realized by Martini between 1908 and 1909.
Titled in the front, not signed.
Ref. Alberto Martini, Mostra Antologia Palazzo della Permanent, Milan, 1985, p. 86 no. 69.
Presentation
Alberto Martini was born on November 24, 1876 in Oderzo and died in Milan on November 8, 1954.
He is a painter, print artist and illustrator and is considered to be a forerunner of surrealism.
In 1897, at the age of 21, his work is featured for the first time at the Venice Biennale; the artwork he presents is "La corte dei Miracoli", inspired by Victor Hugo ?s "Notre-Dame de Paris".
The illustration of famous literary masterpieces constitutes a very important part of his work.
His painting practice can be divided into two periods:
-The ?light period? (with an exhibition in Milan, in 1927) is marked by an almost abstract lyricism and refinement.
-The second period, the ?black manner?, a more sinister and apocalyptic vision takes over his work.
He is a painter, print artist and illustrator and is considered to be a forerunner of surrealism.
In 1897, at the age of 21, his work is featured for the first time at the Venice Biennale; the artwork he presents is "La corte dei Miracoli", inspired by Victor Hugo ?s "Notre-Dame de Paris".
The illustration of famous literary masterpieces constitutes a very important part of his work.
His painting practice can be divided into two periods:
-The ?light period? (with an exhibition in Milan, in 1927) is marked by an almost abstract lyricism and refinement.
-The second period, the ?black manner?, a more sinister and apocalyptic vision takes over his work.
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