Galloping Horses, 1916
Fine Art Drawings : charcoal · 33 x 48.5 x 0.1 cm 13 x 19.1 x 0 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
33 x 48.5 x 0.1 cm 13 x 19.1 x 0 inch Height x Width x Depth
Artwork dimensions including frame
58 x 69 x 2 cm 22.8 x 27.2 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
Hand-signed in charcoal and dated on the lower left margin "Paris, 1916".
This is a very dynamic composition of galloping horses, realized with the very rapid and fluid line of an artist who abandoned Divisionism to fully immerse himself in a more Futurist style.
Including a gilded wooden frame (mounted).
Giuseppe Cominetti (Salasco, 1882 - Rome, 1930) was an Italian painter of the Divisionism period.
In 1902, he moved to Genoa, where he frequented the sculptors Bistolfi, Bassano and De Albertis, the painters Nomellini, Olivari, Geranzani and Schiaffino, and writers and poets such as Baratono, Martini and Sbarbaro. The close friendship with Nomellini contributed to make him definitively join Divisionism.
In 1909, he took part in the Paris Salon. In the French capital, he had the opportunity to meet the exponents of the École de Paris and to collaborate as an art critic for Le Monde. Here, he also took part in Filippo Tommaso Marinetti's Futurist movement for a short period.
His works are preserved at the Modern Art Gallery in Genoa, the National Gallery of Modern Art in Rome, the Municipal Art Gallery of Cagliari, and the Borgogna Museum of Vercelli.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
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