I Vitelloni, 1977
Federico Fellini   Famous Artists

Print : lithography · 47 x 64 cm 18.5 x 25.2 inch

€4,600 4 600 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 31

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 120 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

47 x 64 cm 18.5 x 25.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2015 • Top Seller

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Description

The unique lithography in the world hand-signed by Federico Fellini. 

Original Lithograph from the original storyboard drawn in 1953 by Federico Fellini. 

Technique : Lithography
Date of edition : 1977
Size : 47,5 x 64,5 cm / 18.7 x 25.4 in
Paper : Velin d'Arches 270g.
Justification: Numbered & Hand-Signed in pencil + " Roma 77" in pencil 
Certificate of authenticity. 
Perfect condition / No folds, no marks or tracks of framing. 

Everyday life

Comics

Cinema

Cartoons

Federico Fellini

Italy

Rome

Sixties

Federico Fellini, I Vitelloni
Italy  • 1920  - 1993

Presentation

Federico Fellini (Rimini, 1920 - Rome, 1993) was a highly esteemed and influential Italian film director. Known for his distinct style that blends fantasy and baroque images with earthiness, he is considered one of the greatest and most influential filmmakers of the 20th century and in the history of cinema, directing iconic films such as La dolce vita, La Strada, Nighs of Cabiria or Armavord.

Marked by neorealism in the beginning, Fellini's work evolved, in the 1960s, toward a unique style, close to European modern cinema. His films are characterized by multiple themes and rich narratives, an intentional artificiality in directing, and no limits between dreams, imagination, hallucinations and reality.

Federico Fellini always doodled. When he arrived in Rome in 1939, he intended to become a cartoonist before discovering cinema. From Fellini's imagination and dreams emerge dwarves, clowns, polar bears, radioactive fish, and friends, including Visconti and Picasso, as well as apocalyptic nightmares of plane crashes, floods, and collapsing buildings. He also uses drawings for his films, to give indications to his collaborators, or to materialize his thoughts before they become moving images.

As he says himself: "for me it is a way to loook films in the eyes". His drawings are pre cinematographic visions through their spontaneity. The strength of his images in his movies is informed by the agressiveness of journalistic graphic images. His sketches are taken live at the instant he has the vision. If the script is the literary and verbal phase of the film, the drawings translate an expression, their general idea. They are indications to his collaborators such as set designers, make-up artists, costume designers.

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