Bronze Sculpture for Sale
Kurt Cobain: Endless Nameless, 2021
Print : giclée · 61 x 45.7 cm 24 x 18 inch
€490
490 €
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Shipped from: United States
Delivery to: France , € 38
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About the artwork
Type
Print : numbered and limited to 650 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
61 x 45.7 cm 24 x 18 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Kurt Cobain' Screen Print by Shepard Fairey
Tribute to the grunge rock icon and frontman to the band "Nirvana".
Medium: Screenprint on cream Speckletone Paper
Provenance: Signed, numbered and dated by the artist.
Edition: Limited Edition of 650 (#532/650)
ABOUT THE ART "I have been a fan of "Nirvana" since I first heard them over 30 years ago. My appreciation for lead singer Kurt Cobain's artistry and intelligence has only increased over the decades. I had an opportunity to see "Nirvana" and "The Melvins" in the fall of 1991, but I had a college project due, so I skipped it to finish my work. At the time, it seemed like both bands would remain underground and tour the smaller clubs for the foreseeable future. As it turns out, "Nirvana" would soon sell millions of albums and dramatically change the musical landscape.
I liked "Nirvana's" first album, Bleach, but when I bought follow-up Nevermind, I realized that Nirvana had made a landmark album. Album opener “Smells Like Teen Spirit" is a song with a more muscular version of the Pixies' quiet/loud dynamics plus great structure, melody, and anthemic but unusual lyrics. “Smells Like Teen Spirit" made me want to jump around, sing, ponder the vigor of youthful rebellion, and I was sure it would conjure similar feelings in my “indie" friend group. What I did not realize is that the song would soon dominate pop radio, creating many debates about the term “sell-out."
Some of my so-called “indie" friends, who originally loved "Nirvana", chose to distance themselves from the band after they became popular. I decided to be happy for the band's success and see their breakthrough as a triumph for good music. I like all of "Nirvana's" albums, but the one I find astounding and surprising, especially considering the turmoil Kurt and the band were experiencing at the time, is the MTV Unplugged Live in New York because the performance is so intimate and soulful, but powerful. Seeing and hearing Nirvana stripped-down magnifies what great musicians and what a great band they were.
Kurt Cobain produced several tracks on the Melvins' Houdini album and helped the band get signed to Atlantic Records. I saw the Melvins four times on their Houdini tour, including a show in Amherst, Massachusettes, the day of Kurt Cobain's suicide. It was a very shocking and tough day, and I thought the Melvins would cancel, but they played the best show of theirs I've ever seen. I like to think they played from their hearts to honor Kurt.
I'd always wanted to make a Kurt Cobain tribute portrait, but I did not want to use one of the many well-known photographs as the reference for my illustration. Fortunately, I ran into Chris Petersen whose late sister Naomi was a photographer for SST Records and shot some great Nirvana photos in 1990. In one photo, I was immediately drawn to Kurt's gaze directly at the viewer, which I then tried to amplify in my illustration. I hope that my portrait of Kurt is a reminder that his artistry and humanity endure despite his struggles and tragic early death."
Shepard
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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