Bronze Sculpture for Sale
La Plage, 1972
Print : lithography · 77 x 104 x 0.2 cm 30.3 x 40.9 x 0.1 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
77 x 104 x 0.2 cm 30.3 x 40.9 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
85 x 110 x 2 cm 33.5 x 43.3 x 0.8 inch
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Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
La Plage (The Beach) is a rare impressive original lithograph on wove paper, realized in 1972 by the artist Paul Delvaux (1897-1994). Hand-signed in pencil "P. Delvaux" at the lower right margin. With inscription on plate on the lower right corner. Hand-numbered in pencil on the lower left margin, our specimen is part of a limited edition set of 50 prints. This artwork was printed by Atelier Mourlot in a total edition of 75 prints and published by Galerie Le Bateau Lavoir, Paris.
Under glass and under a wooden frame. Reference: Jacob Mira (1976). Paul Delvaux Graphic Work. New York: Rizzoli, n. 59 Le Bateau Lavoir Published in 1972 the Parisian "Le Bateau Lavoir", the commission of this edition came from Mira Jacob, a private collector of Symbolist and Surrealist paintings. She was the one who encouraged Paul Delvaux during their first meeting in 1965 to begin making lithographs. For this book, the Belgian artist produced many engravings, some of which are dry-points.
Paul Delvaux (1897-1994) One of the leading exponents of Surrealism, as well as one of the most popular painters of all time, Paul Delvaux is famous for his female portraits located into mysterious surreal interiors and landscapes.
Under glass and under a wooden frame. Reference: Jacob Mira (1976). Paul Delvaux Graphic Work. New York: Rizzoli, n. 59 Le Bateau Lavoir Published in 1972 the Parisian "Le Bateau Lavoir", the commission of this edition came from Mira Jacob, a private collector of Symbolist and Surrealist paintings. She was the one who encouraged Paul Delvaux during their first meeting in 1965 to begin making lithographs. For this book, the Belgian artist produced many engravings, some of which are dry-points.
Paul Delvaux (1897-1994) One of the leading exponents of Surrealism, as well as one of the most popular painters of all time, Paul Delvaux is famous for his female portraits located into mysterious surreal interiors and landscapes.
Presentation
Paul Delvaux is a painter of Belgian origin born in Antheit in 1897 and died in Furnes in 1994. With his long career, he will alternate between post-impressionist, expressionist and surrealist styles. He studied drawing and painting at the Royal Academy of Fine Arts in Brussels, where he then told for teachers the Symbolist painter Jean Delville and the painter Constant Montald. Paul Delvaux paints women, men and ephebes. He paints nudes, cityscapes, people in costume, and sometimes all three at the same time. Static, frozen, the characters in his painting are introduced gently into the painting, crystallized within an environment that is itself stationary. In Delvaux's universe, time stands still, losing all control over the elements. The beautiful is obvious, imposed with genius by this talented artist. Around 1930, he was inspired by the Foire du Midi in Brussels and the Spitzner museum to represent scenes with medical influences, a perhaps involuntary nod to his best friend Emile Salkin with whom he used to train. drawing skeletons. In 1938, success smiled on him, since he participated in the surrealists exhibition in Paris. From 1920 to 1924, Delvaux was mainly inspired by stations and railways to paint. At the same time, he had a systematic habit of destroying his paintings each time he changed the theme. Later, Delvaux signed large mural compositions, including those of the Palais des Congrès in Brussels, the Institute of Zoology in Liège and the Casino-Kursal in Ostend. In 1958, he and his students produced The Literary Map of Belgium as part of the Universal Exhibition. Correspondent of the Royal Academy of Belgium since 1956, he officially became a member in 1958. In Saint-Idesbald, a private museum is dedicated to Paul Delvaux, and contains the most important collection of his works.
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