Drachensee, Tyrol / Austria, 2018
Peter Neusser  

Photography : color edition, HD print, fine art print · 122 x 87 cm 48 x 34.3 inch

€3,200 3 200 €

One of the last works available by this artist

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Shipped from: Germany

Delivery to: France , € 96

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

2 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

122 x 87 cm 48 x 34.3 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Germany

Credentials

Vetted seller since 2015

Discount

This seller offers discount when you purchase multiple artworks.

Description
Visualism - The photographs by Peter Neusser are strict work of pausing on location, on the path, and insights into the urban communication, in which the mediating is blocking something. The horizon is accessible in the urban jungle, not as a promise or a longing in the distance, but rather as an accidental architectural clearing he moves through the images. If the game between sharpness and blur would promise contemplation a time for development or a path to take, so Neusser directs the perspective promise to the artificiality of the detail, or shall we say the shifted focus. Not for the identity of a city Neusser portraits the city of Munich, also it is not a portrait, in vain we would seek a counterpart, but the viewer is gently inserted into the text of urbanity. In the picture our insight is built, and Peter Neusser gets a construction which irritates the usual central perspective view and leads midpoints to marginalia. These photographs are fine movements, deployments of an intuition that requires architectural space as a reference point for the development of time. The images compress the dizziness of movement and the rigidity of construction to a really daring insight into the Urban: We are distracted. If architecture is a coordination of inner and outer space and a coordination of atmosphere of both, then Peter Neusser photographs from inside into the inner city.
Text by Hubert von Amelunxen.//

Photography‘s major strength as well as its major weakness is to just capture one single moment: A certain motif in a certain section in certain light conditions, taken over a certain time period. The sixtieth of a second. Click. Reality always shows more than a picture does – to the left, to the right, above and below the chosen section. In a good photograph the invisible is irrelevant, in one shot it concentrates reality on the character of a person, a building, a landscape. It is like a miracle: Without delivering a whole image, the image created is still complete. It is essential, of course, that the motif can be photographed at all. It is essential that the motifs character can be concentrated in one single moment. It is essential that the photographer presses the shutter button at the right moment. All these prerequisites restrict the medium of photography and constitute its major weakness. A bit too late or too early, a bit too far to the left or to the right, a bit too bright or too dark, a bit too large or too small and instead of a self explaining picture the result would only be a missed chance. Reality is fleeting. Peter Neusser solves this dilemma of photography with his art. His “multiples” reconcile photography and reality. Instead of trying to depict reality he just captures it with his multiple exposures. It is an advantage, of course, that Peter Neusser is one of the few photographers who not only have an eye for the right motif and are able to think graphically but he also has complete technical knowledge of his medium. When photographing multiples, it is important to listen to your artistic soul as well as being able to work with mathematical precision – just like Peter Neusser does. And therefore he manages to do something that virtually cannot be done: His works, always created using analog photography, do not only capture one single moment but stories and experiences.

Landscape

Conceptual

Mountain landscapes

Lake

Imaginary landscape

Long exposure

Semi-abstract

Sky blue

Peter Neusser, Drachensee, Tyrol / Austria

Peter Neusser

Germany  • 1966

Presentation

Born on October 4th, 1966 in Brno, Czech Republic, lives and works as a freelance photographer in Munich.


1990-1993 Study of Photography at the "Staatliche Fachakademie für Fotodesign", Munich

1994-1996 Assistence for Ernestine Ruben, Princeton, USA

1998 "Promotion Prize for Photography of the City of Munich", Munich

1999 Scholarship "Residence d'artistes du Domaine d'Abbadia", Hendaye, France

2001 + 2002 Participation at "Artlink 2001" and guidance at "Artlink 2002",

artists´ projects organized by the Goethe-Institute, Colombo (LK)

2000-2005 Participation in the Photographic Project "Theresienhöhe", Munich

2004 + 2005 Nomination Bavarian State Prize for Fine Arts, Munich (DE)

2011 + 2012 Nomination Prix Pictet, Geneva (CH)

Single Exhibitions (selection)

2010 "Erlkönig | Prototypes", Project on the Autostadt Wolfsburg,

Berlinische Galerie, Berlin

2007 | 2008 "STRATA", J.J. Heckenhauer Gallery, Berlin

2004 "Urban Perspectives", photographs 1995-2004, Photo Museum in the Münchner Stadtmuseum, Munich

2002 "Multiples", Huber Goueffon Gallery, Munich

Group Exhibitions (selection)

2013 ECM-Axhibition "Think Of Your Ears As Eyes", Area Arts Center, Seoul, South Korea

2011-2012 "Broadside - In Focus: Space", Villa Merkel, Esslingen (DE)

2008 "Strata of Power", 3rd European Month of Photography Berlin, Uferhallen, Berlin

2007 2nd Photo Festival Mannheim-Ludwigshafen-Heidelberg

2005 | 2006 "The view of Dresden. The Frauenkirche and the development of the Dresden city silhouette", Staatliche Kunstsammlungen Dresden

2004 | 2005 "Shanghai Surprise", thirteen from Lorraine, Munich

2000 "Apprenticeship years - light years. The Munich Photo School 1900-2000",

Photo museum in the Munich City Museum

1999 "Another view", Espace Photographique Contretype, Brussels

1998 "Transparencies", House of Art, Munich

1994 "Views - Photographic Images of Munich Artists", Städtische

Gallery in the Lenbachhaus, Munich

Collections

Allianz Art Collection, Munich

Art collection of the German Bundestag, Berlin

Photo museum in the Münchner Stadtmuseum, Munich

Bavarian State Painting Collection, Pinakothek der Moderne, Munich

Daimler art possession, Stuttgart

Bibliothèque Nationale de France, Paris

Cifo-Cisneros Fontanals Art Foundation, Miami

KPMG art collection, Munich

Michael Schupmann Collection, Söhrewald

Reviews from our customers

All our reviews are extracted from Verified Reviews

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