Oqueiral na luz, 2022
José Ignacio Suarez Solis  

Painting : acrylic · 110 x 179.8 x 0.3 cm 43.3 x 70.8 x 0.1 inch

€3,568 3 568 €
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Shipped from: Brazil

Delivery to: France , € 450

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

110 x 179.8 x 0.3 cm 43.3 x 70.8 x 0.1 inch Height x Width x Depth

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Vetted seller since 2019 • Top Seller

Description

OQUEIRAL NA LUZ, 2022 by José Ignacio Suarez Solis From the series Matas Acrylic paint on canvas

This striking artwork utilizes bold, vertical brushstrokes to create an abstract forest scene. Dominated by deep blues and vibrant yellows, the composition captures a dynamic play of light filtering through dense trees. The vertical elements resemble tree trunks, while the interplay of colors evokes the dappled sunlight of a woodland setting. The artist's use of contrasting hues and textured layering adds depth and movement, drawing the viewer into an immersive experience. Notably, the blend of cool and warm tones creates a harmonious balance, making the piece both calming and invigorating. The painting's abstract nature allows for personal interpretation, inviting viewers to explore an emotional landscape. Its expressive style and striking color contrasts make it a captivating and thought-provoking work.

Abstract

Brazil

Leaf

Plants

Semi-abstract

Nature

Dark blue

José Ignacio Suarez Solis, Oqueiral na luz
Chile  • 1967

Presentation

Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.

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