Roses can hurt, 2022
Ramonn Vieitez  

Painting : oil · 99.8 x 99.8 x 0.3 cm 39.3 x 39.3 x 0.1 inch

€3,612 3 612 €
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Shipped from: Brazil

Delivery to: France , € 330

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

99.8 x 99.8 x 0.3 cm 39.3 x 39.3 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

This striking artwork presents a surreal portrait of a figure wearing a glossy black mask, with conspicuous red lips and a calm, contemplative gaze. The mask’s sheen contrasts sharply with the backdrop, which features vibrant red flowers and green leaves that create an unsettling yet captivating juxtaposition. The figure is dressed in a crisp white shirt, further emphasizing the starkness of the mask. The painting's composition suggests themes of identity, anonymity, and duality, inviting viewers to ponder the concealed emotions beneath the surface. The vivid red hues of the surrounding blossoms symbolize passion or defiance, adding depth and intrigue to the piece. The artwork is assertive in its use of contrasting colors and textures, making it both visually compelling and thought-provoking.

Portrait

Floral

figurative

Brazil

LGBTQ

Faces

Roses

mask

Red

Ramonn Vieitez, Roses can hurt
Brazil  • 1991

Presentation

Ramonn Vieitez is a self-taught Brazilian artist who primarily utilizes painting as a field of creative possibility, compulsively producing works of astonishing lyricism, melancholy, and, perhaps most importantly, sincerity. As a queer individual, he playfully engages with a stunning variety of references but shares the conviction that painting can yield intimate and revelatory forms of expression.

His works convey a sense of energy and movement, existing between figuration and imagined landscapes – they serve as windows to luminous, vibrant, and melancholic places. His production arises from the desire for understanding and the construction of an honest memory, a quest to reveal suppressed desires and lost truths.

The artist has participated in several individual exhibitions, such as at the Museu do Homem do Nordeste (Brazil, Recife) MEB - Centro Cultural Mercado Eufrasio Barbosa (Brazil, Olinda) and at the Amparo 60, Baró and Portas Vilaseca galleries; He also participated in several group exhibitions, including “SEMPRENUNCA Fomos Modernos" at the Museu do Estado de Pernambuco (MEPE) and “Atentxs e Fortes - 50 Anos de Stonewall" at the Casa de Cultura da América Latina DEX/Unb, “Ao Amor do público I - Doações da ArtRio (2012-2015) e MinC/Funarte" at the Museu de Arte do Rio (MAR), and it is in collections such as that of the Museu de Arte do Rio (MAR), Museu de Arte Moderna (MAM-Rio), Arte Al Límite at Santiago de Chile, Fondazione Benetton Studi Ricerche among others.

Reviews from our customers

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