Le Cygne de Sparte, 1958
Gianni Bertini  

Painting : oil · 73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch · Ready to hang

€9,000 9 000 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 180

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

78 x 65 x 3.5 cm 30.7 x 25.6 x 1.4 inch

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Credentials

Vetted seller since 2017

Description
This artwork comes from Collection Pierre Restany.

Exhibition:
Collection Pierre Restany – une vie dans l’Art, Musée d’Art Moderne, Céret, 1989
Gianni Bertini, Le Cygne de Sparte
Italy  • 1922

Presentation

Gianni Bertini born on 1922 in Pisa, Italy. "Arte Nucleare" is a term applied to a style of Italian painting prevalent in the 1950s. The "Movimento Nucleare" was founded in 1951 by Enrico Baj and Sergio Dangelo, with Gianni Bertini, to promote a gestural, fantastical style of avant-garde art. 

In their first manifesto in 1952, the artists introduced the idea of 'nuclear painting' and made it clear that they were striving for a relevant representation of post-War man and his precarious environment. Arte nucleare stood in opposition to the powers unleashed in the atomic age and expressed the general fear of imminent and uncontrollable damage from nuclear physics. The artists also reacted against the pictorial disciplines of De Stijl and all forms of geometric abstraction, pursuing instead the unpredictable effects of Surrealist automatism. This included gestural experiments similar to action painting and Tachism. A further manifesto was released by the Arte nucleare artists in January 1959. This warned against the negative application of new technology and also found possibilities of a positive, aesthetic development from some aspects of atomic fission.

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