Le Cygne de Sparte, 1958
Painting : oil · 73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 180
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
78 x 65 x 3.5 cm 30.7 x 25.6 x 1.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017
Description
Exhibition:
Collection Pierre Restany – une vie dans l’Art, Musée d’Art Moderne, Céret, 1989
Presentation
Gianni Bertini born on 1922 in Pisa, Italy. "Arte Nucleare" is a term applied to a style of Italian painting prevalent in the 1950s. The "Movimento Nucleare" was founded in 1951 by Enrico Baj and Sergio Dangelo, with Gianni Bertini, to promote a gestural, fantastical style of avant-garde art.
In their first manifesto in 1952, the artists introduced the idea of 'nuclear painting' and made it clear that they were striving for a relevant representation of post-War man and his precarious environment. Arte nucleare stood in opposition to the powers unleashed in the atomic age and expressed the general fear of imminent and uncontrollable damage from nuclear physics. The artists also reacted against the pictorial disciplines of De Stijl and all forms of geometric abstraction, pursuing instead the unpredictable effects of Surrealist automatism. This included gestural experiments similar to action painting and Tachism. A further manifesto was released by the Arte nucleare artists in January 1959. This warned against the negative application of new technology and also found possibilities of a positive, aesthetic development from some aspects of atomic fission.
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