L'apparence trompeuse n°1, 2018
L'enfant Sauvage  

Painting : aerosol paint, acrylic, etching · 116 x 80 x 2 cm 45.7 x 31.5 x 0.8 inch · Ready to hang

€1,750 1 750 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Spain , € 119

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

116 x 80 x 2 cm 45.7 x 31.5 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description
Series of 5 works aiming to question the opinion that we have of a person at first sight. The interest is to look at these pieces succinctly giving an impression of completion, then to linger there, to realize the assumed imperfections, and the different details of their personalities...

Abstract

Geometric

Geometric abstraction

Urban art

Graffiti

L'enfant Sauvage, L'apparence trompeuse n°1
France  • 1994

Presentation

L'enfant sauvage is a young artist born in Marseille. He bombed some walls of the cities where he passed, always drew from a very young age everything that inspires him, and this even before discovering graffiti at the age of 11.

Since then, he never stopped, and tried to evolve his "wild style", hence his nickname: The wild child. After his multiple sessions on the ground, and in Vandal, and in parallel with his personal evolution, he asked himself a question.

Given that we consider graffiti as an art, and that according to him, what defines art is timelessness, why make graffiti doomed to be erased or ironed, and therefore having a limited duration in time?

From that moment on, he always wanted to transcribe the sensations and the universe of graffiti, its brutality and its freedom, without falling into the cliché of a simple lettering work, using only the main markers which for him define this art. This by going straight to the point and without frills.

For this, he uses techniques and objects directly related to graffiti for his works.

The main source of inspiration is the human, its excesses, its idiocies, its loves.

He wants his inspiration to be present in each of his paintings, so as not to be satisfied with a simple tag on canvas, but to expand the vision of graffiti to a more minimalist art.

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