La galerie d’Alexandre Moore Rockefeller à New York, 2023

by Alexandre Moore Rockefeller

Painting : acrylic 89 x 116 x 0.6 cm 35 x 45.7 x 0.2 inch

$5,693
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9.6/10

About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

89 x 116 x 0.6 cm 35 x 45.7 x 0.2 inch Height x Width x Depth

Framing

Not framed


Tags

Nude

Everyday life

Pop Art

back

Women

Matisse

Semi-abstract

Silhouette

Navy blue

Artwork sold in perfect condition

Artwork location: France

In the work entitled "Alexandre Moore Rockefeller's gallery in New York", the artist transports us to the creative effervescence of a New York gallery. Four silhouettes, of mysterious beauty, take shape in front of a painting that captivates the eye and the imagination. It is a show that evokes both contemplation and movement.
The central silhouette, a woman lying on her stomach, emerges with remarkable artistic purity. Painted in metallic midnight blue tones, it embodies both the fragility and strength of human expression. The minimalist contours of this silhouette create an almost dreamlike atmosphere, where the viewer is invited to get lost in the recesses of his imagination.
The three silhouettes in front of the painting, turned towards this intriguing scene, add a subtle dynamic to the whole. Their presence seems to enliven the space, evoking continuous movement, preventing stillness. Each silhouette, made in a minimalist style, elicits a deep connection with the viewer, who can identify with and immerse themselves in the work.
The bold use of fluorescent colors for the hair of the four silhouettes is a nod to pop art, adding a touch of vitality and originality to the whole. Vivid hues of green, orange and pink create a stark contrast to the darker tones of the main painting, bringing an extra dimension to the artwork.
The choice of New York in the title of the work echoes the origins of the artist, Alexandre Moore Rockefeller. The city that never sleeps is a reference to the artistic effervescence, diversity and artistic freedom that reign there. It is a vibrant tribute to this metropolis where art is celebrated in all its forms.
"Alexander Moore Rockefeller's Gallery in New York" is more than just an artistic representation. It is a captivating journey to the heart of creativity and human expression, a symbol of audacity and artistic innovation.
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About the seller

Professional art gallery • France

Artsper seller since 2023

Vetted Seller


Collector’s Guide

Imagine it at home

Alexandre Moore Rockefeller, La galerie d’Alexandre Moore Rockefeller à New York
Alexandre Moore Rockefeller

Alexandre Moore Rockefeller

France  • 1988

Alexandre Moore Rockefeller was born in Paris in 1988 into a family of industrialists. He discovered painting by enrolling in art classes. There he forged his technique and developed a passion for the history of art.

He will choose to study the nude in particular. The flesh being for him the last place of personal power. His work is inspired by artists who have sublimated the ideal beauty of the body: Titian (notably with "The Venus of Urbino"), Vélasquez, Goya, Monet, Matisse, Modigliani, Tom Wesselmann.

He will seek, all his life, to leave his mark on the present by relying on a precise knowledge of the past; his aesthetics, his approach. The form must be as refined as possible on a monochrome background. Only the reflection of the light by the metallic color materializes the space and the silhouette. The human body is transformed by the use of paint and iridescent colors, drawing inspiration from collage and sculpture.

Drawing and color cannot be dissociated. Each line, each curve, each flat color contributes to the creation of a form. The latter is sublimated by the interaction and association of colors.

Its palette, made up of metallic colors, evolves in different ways generating strength and energy, thus creating its signature.

“My goal is not to represent an ideal and stereotyped body because I recognize the diversity of bodies. I am only interested in the manifestations of life and their forms, which I transcend through elements of the body, through a sculpted silhouette and abstract nudity.

They are odes to femininity, to the autonomous, authentic and free woman. I work instinctively, on feeling, on vibration, like a head-to-head fusion with the living.

Each line corresponds to an idea. The body, its plasticity, its sensuality, seems to occupy the entire canvas. The proportions depend on the size of the canvas. Construction happens naturally.

I shape the human body with knife strokes, with bursts of color simulating the metamorphosis into bursts of life. From this energy is born a sensation in the moment. The graphics, the intensity of each touch and the materials harmonize and articulate in a unique abstract figure. Thus I hope to achieve an aesthetic transposition of my reality. » AM Rockefeller (February 2014)


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