Désintégration, 2023
Painting : oil · 88.5 x 74 x 4 cm 34.8 x 29.1 x 1.6 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
88.5 x 74 x 4 cm 34.8 x 29.1 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2023
Description
Samuel Lalier considers painting as an artistic medium allowing the advent of the inner mystery of the canvas. The fact of painting on the reverse side of the canvas allows him to play with the textile, whose colors pass through the mesh. Thus producing a background that seems parasitized, like mold, in short; organic. For Samuel Lalier, it is ultimately a question of reusing the representation of nature, by assuming the dystopian dimension that composes it.
Presentation
Samuel Lalier studied for a year at the Kunsthochschule Berlin-Weißensee and subsequently obtained his DNSEP master's degree at the Beaux-Arts d'Angers with the congratulations of the Jury in 2023. Since 2022 he has lived and worked in his studio in Berlin. He had the opportunity to exhibit his artistic work in Berlin, Paris and Nantes during personal and group exhibitions.
The pictorial universe of Samuel Lalier refers to the representation of a fallen nature, shaken and under tension. A certain harmony linked to a profoundly dystopian vision seems to emerge there. His oil paintings are immersive, they invite the eye to gradually investigate the different plant elements represented. Which intermingle with each other in a thick fog.
Samuel Lalier undertakes above all to show this strange feeling, specific to the medium of painting and its materiality. His imagery is nonetheless unconsciously influenced by climatic problems, through the way of depicting plants that are sometimes out of breath, as well as by our digital age, therefore using very bright, even irritating, colors.
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