Intimate Offerings, 2019
Painting : acrylic, charcoal · 60.96 x 45.72 x 2.54 cm 24 x 18 x 1 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 234
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
60.96 x 45.72 x 2.54 cm 24 x 18 x 1 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
"My paintings project possible communities of women by drawing from both a historical and imaginative past, present and future. Utilizing imagery and ideologies drawn from The Woman's Land Army from World War I and II, female separatist communities, fairy tales and literary fiction, I create constructed communities that exist in a collapsed and unknown time, neither past nor future, but somehow both. These works acknowledge and reflect a world where female power is derived from collaboration, self- endowed agency and connection with the natural world." - Genevieve Cohn
Presentation
Genevieve Cohn grew up in rural Vermont and received her MFA in Painting from Indiana University. She has attended residencies at the Fiore Art Center, The Vermont Studio Center, The Ragdale Foundation, and AiRGentum. She is the winning recipient of the Hopper Prize. Her work has been featured in New American Paintings, Create Magazine, Art Maze Magazine. Genevieve has exhibited work in New York City, Boston, Chicago, and London, among other cities. She is currently living and working in Boston, MA where she teaches at Wellesley College.
Artist Statement
My paintings project possible communities of women by drawing from both a historical and imaginative past, present, and future. Utilizing imagery and ideologies drawn from The Women's Land Army from World War I and World War II, as well as female separatist communities, fairy tales and literary fiction, my paintings acknowledge and reflect a world where female power is derived from collaboration, self-endowed agency and connection with the natural world. I consider ideas of collection, adornment, beauty and choice as the figures within the worlds of my work construct spaces that engage ideas of ritual and practice.
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