November day, 2024
Painting : acrylic · 50 x 80 x 2 cm 19.7 x 31.5 x 0.8 inch · Ready to hang
$1,394
1 394 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: Germany
Delivery to: United States , $ 120
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 80 x 2 cm 19.7 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
This work of art is a lively and impressive landscape painting that captures a picturesque scene with bright colors and dynamic brushstrokes.
It shows the garden of the 800-year-old former Besselich monastery estate in an autumnal mood, idyllically situated in the middle of a green landscape, surrounded by old trees with a beautiful view of the Rhine.
The monastery complex has a long history dating back to the Middle Ages. Emperor Wilhelm I and his wife Augusta regularly visited the monastery estate in the mid-19th century.
Presentation
Brilliant colours, atmospheric light and powerful compositions characterize the paintings of Miriam Montenegro.
Like the French Impressionists, the painter likes to capture the light of the moment, going outside with her working materials, painting in front of the subject and thus presenting interpretations of felt moments. In her paintings she reduces the motif to the essentials, the rest is dissolved in color and form. This creates a tense relationship between the representational and the abstract. Her artworks are characterized by clear, generous forms and simple but effective drawing. The arrangements are dynamic and balanced and emphasize vital, exciting color combinations.
In her paintings, the color is applied in layers, cubic light and shadow nuances and subtle translucent effects often arise, a painting changes again and again until the result is there. The themes of the paintings are diverse and usually play a subordinate role. Often the color itself is the theme. In addition to working on her often large-scale expressionist cityscapes in oil, the artist enjoys experimenting with acrylic, ink, markers, stencils and other mediums such as packaging films to create exciting visual worlds.
Miriam Montenegro's style is equally shaped by head and emotion.
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