Rat 4, 2017
Painting : aerosol paint, acrylic · 30 x 33 x 2 cm 11.8 x 13 x 0.8 inch
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic on wood
Dimensions ( cm • inch )
30 x 33 x 2 cm 11.8 x 13 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Notes: Hand Signed and Dated. Vertical Gallery Label on Verso.
About: Blek chose to paint rats because they symbolize the urban environment as well as the marginalized members of society. On New Year's Eve in 1981, Blek painted a bunch of rats all around the Centre Georges Pompidou, a Modern and Contemporary Art Museum.
Presentation
Blek le Rat, born Xavier Prou in 1952 in Boulogne-Billancourt, France, is widely recognized as one of the pioneers of street art in Paris and hailed as the "Father of Stencil Graffiti." His groundbreaking techniques and thought-provoking works have significantly influenced the global street art movement, inspiring artists like Banksy and shaping the evolution of urban art.
In 2024, Blek le Rat presented a significant solo exhibition titled "War & Peace" at Woodbury House in London. The exhibition, featured over 50 new paintings and prints, offering a personal insight into Blek's reflections on conflict, shaped by his experiences growing up in post-war France. The collection explored humanity's dichotomous state, delving into themes of security and instability, harmony and hostility, resilience and torment. A highlight of the exhibition was the "Stallion of Sacrifice" series, depicting a Persian warrior on horseback, symbolizing the universal soldier's power and vulnerability. This exhibition underscored Blek le Rat's enduring influence on the street art movement, as he continues to inspire contemporary artists and engage audiences with his thought-provoking works.
Xavier Prou grew up in the western suburbs of Paris, where he developed an early interest in art and architecture. His journey into street art began in 1981 when he started painting stencils of rats across the streets of Paris. Prou described the rat as "the only free animal in the city" and a symbol of rebellion, noting that it "spreads the plague everywhere, just like street art." The name "Blek le Rat" is derived from the comic book hero Blek le Roc, with "rat" cleverly serving as an anagram for "art."
After visiting New York City in 1971, Blek le Rat was inspired by the emerging graffiti scene but sought a style that resonated with the architectural landscape of Paris. Unlike New York's large, colorful tags, Prou adopted stenciling, a technique that allowed for detailed, life-sized images. He credits Canadian artist Richard Hambleton, known for his shadowy human figures, as another key influence. Blek le Rat revolutionized street art by transforming stencils from simple lettering to intricate pictorial art, becoming the first to create life-sized stencil artworks.
One of Blek le Rat's oldest preserved street artworks is a 1991 stencil of Caravaggio's Madonna di Loreto, dedicated to his future wife, Sybille. This piece was rediscovered in 2012 behind posters on a building wall in Leipzig, Germany. His arrest in 1991 while stenciling a replica of Madonna and Child led him to shift exclusively to pre-stenciled posters, enabling quicker applications and reducing legal risks.
Blek le Rat's art often carries strong social messages, focusing on themes of freedom, individuality, and social justice. His series highlighting homelessness, launched in 2006, features realistic portrayals of people living on the streets, aiming to raise awareness about global poverty and social inequality.
British street artist Banksy has openly acknowledged Blek le Rat's influence, famously stating, "Every time I think I've painted something slightly original, I find out that Blek le Rat has done it as well, only twenty years earlier." The two artists have expressed mutual admiration, with Blek contributing to a Banksy mural in San Francisco's Mission District in 2011.
While Blek initially embraced comparisons to Banksy, viewing them as a testament to his impact on younger artists, his stance shifted in the documentary Graffiti Wars. He expressed frustration over similarities in their work, particularly the use of rats and social commentary. Despite these tensions, Blek le Rat's legacy as a trailblazer in stencil graffiti remains undisputed.
Blek le Rat's innovative techniques and commitment to social issues have cemented his place in art history. His work continues to inspire street artists worldwide, bridging the gap between guerrilla art and contemporary urban culture. As the father of stencil graffiti, Blek le Rat has left an indelible mark on the streets and in the hearts of art enthusiasts everywhere.
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