Everything is as it should be, 2024

Dasha Pogodina   Best sellers Emerging artists

"Everything Is as It Should Be" from the "Perichoresis" series conveys the idea of acceptance and harmony, where every element of life occupies its natural place. The painting asserts that human nature, including the body, emotions, and desires, is perfect in its existence. It invites the viewer to abandon societal judgment and see the beauty in the simple fact of being.

This work reflects on how a person's inner world is mirrored in the external and how self-acceptance paves the way to true freedom. It carries the notion that harmony is achieved not through conflict with oneself but through a sincere acknowledgment of one's wholeness.

The painting also explores the theme of duality—of the material and the spiritual—emphasizing that these two sides are not opposites but complements. Its message resonates with confidence: every moment of life and every aspect of human nature is part of a deeper order where everything is truly as it should be.

PERICHORESIS SERIES 

“Perichoresis" (ancient Greek περιχώρησις - “interpenetration"), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.

Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.

With this gesture, she protests against the dictates of religion, the church's manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.

“Perichoresis" for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.

The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.

Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.

Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.