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Night Car (Confrontation), 2020
Eliot Greenwald  

Painting : acrylic · 25.4 x 20.32 x 1.5 cm 10 x 8 x 0.6 inch · Ready to hang

€11,210 11 210 €
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One of the last works available by this artist

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Shipped from: United States

Delivery to: Germany , € 210

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25.4 x 20.32 x 1.5 cm 10 x 8 x 0.6 inch Height x Width x Depth

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Vetted seller since 2020 • Top Seller

Description

Notes: Hand Signed, Dated and Titled on Verso of Shaped Canvas. Originally exhibited at Taymour Grahne Projects. 

Eliot Greenwald's artwork revolves around the harmonious and symbiotic relationship that unfolds between 'Night Car' and 'Dweeby Dimlight.' Within this artistic narrative, 'Night Car' is personified by the iconic image of a car, while 'Dweeby Dimlight' finds its representation in the form of two planets enveloped by their shared celestial environment. This captivating narrative not only explores the connections between objects but also delves into the profound interplay between narrative and its subjects.

'Night Car,' with its autonomous agency, propels itself forward and extends an open invitation to any willing passenger. Once its doors close, it continues its journey without interruption, refusing to halt or reopen. As the night unfolds, a continuous, almost hypnotic hum resonates in the background, setting the tone for the narrative.

On the other side of this cosmic narrative, 'Dweeby Dimlight' presides, its celestial bodies radiating a gentle glow in close proximity. Serenely silent yet deeply nurturing, 'Dweeby Dimlight' occasionally opens its cosmic maw, swallowing 'Night Car' whole, passengers and all, with a sense of contentment. Remarkably, 'Night Car' resurfaces unfailingly, each time reborn and empty, yet ever willing to offer its services once again. 'Dweeby Dimlight' maintains its role as the silent cosmic guardian, ready to embrace 'Night Car' anew with each cycle of their eternal narrative.

In this evocative interplay between objects and their narrative, Eliot Greenwald's work not only highlights the harmonious relationship between 'Night Car' and 'Dweeby Dimlight' but also delves into the profound interplay between storytelling and the elements within the narrative itself."

 

Fantastic

Landscape

Conceptual

Dark

Surrealism Pop

Surrealism

Time

colorful

Beige

Pink

Eliot Greenwald, Night Car (Confrontation)
United States  • 1983

Presentation

Eliot Greenwald's paintings map the ever-evolving terrain of individual experience, tracing the distances between subjective reality and the natural world. In his newest work, the artist's car scenes take place amidst exotic, lush fauna. Neon lights emit from each metal facade, shifting in complexion from dull to bright like a human gaze gaining clarity. The car becomes a stand-in of sorts for the viewer themselves, a non-theological spirit which evokes the interior of the mind. Greenwald constructs a type of repetitive continuity between works, single motifs or images reappearing over and over again. This use of repetition, for Greenwald, mirrors the slow evolution of one's cognitive understanding of reality. You don't see one tree, for instance, and suddenly possess a perfect idea of what all trees are. Rather, you see many trees of many shapes and many colors and many sizes, and from this slow accretion of trees, come to develop a personal relationship to trees as a whole. To this end, his imagery is often surreal, perhaps even Dada-esque, in its proportion, shape, and color. He is not interested in realistic representation. The images he puts to his canvases are studies on myth-making, what we do to make sense of our particular location in time and space. They are the products of his own mind, reflections of his particular subjective understanding of what certain objects can, or should, look like.

Eliot Greenwald (b. 1983) is a contemporary American artist who was born and raised in Portland, Maine and now lives and works in Ashfield, MA. Eliot is a self taught artist who has shown throughout the United States as well as globally. Eliot is represented by Harper's in New York City. Recently, Eliot has had solo exhibitions with Harper's (NYC), Taymour Grahne Projects (London), and Hesse Flatow (NYC). He was included in Reflections: Human/Nature at Gana Contemporary in Seoul, South Korea  and was shown at Art Central HK as part of the art fair's curatorial selections. Upcoming shows include solos with Best Western/Marvin Gardens and Harper's in New York. Eliot has been published in Art Maze Magazine, Let's Panic, and featured on Juxtapoz, It's Nice That, and Art News.

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