Marharyta, 2025
Painting : Watercolour, acrylic, ink, gold leaf · 47 x 115 cm 18.5 x 45.3 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 293
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic , ink , gold leaf on paper
Dimensions ( cm • inch )
47 x 115 cm 18.5 x 45.3 inch Height x Width x Depth
Artwork dimensions including frame
60 x 130 cm 23.6 x 51.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017
Description
Tribute to Marharyta Polovinko, an artist and doctor killed on the front lines in Ukraine. A photo of her in her coffin inspired this image of a recumbent figure, like a contemporary Ophelia. Above her, we find the Russian double-headed eagle. Saint Olga of kyiv and Motherland Ukraine watch over her.
Acrylic, ink, gold leaf, embossed metal on paper.
Presentation
Born with a rare heart defect, Mina Mond suffered a near-death experience (NDE) as a teenager and turned to faith. While shyness prevented her from becoming a pastor, it opened the doors to creativity, like a catharsis, and her first major series of votive offerings linked this faith to her pictorial work.
The Alsatian artist experienced a real turning point a few years ago, when she once again brushed with death and questioned her practice. She tells stories about the tragic, terrifying, and mysterious world in which we live.
Stories that appear in his mind like a kind of illumination, walking in nature and listening to music, thus creating an altered state of mind. A process stemming from his long practice of clairvoyance and spiritualism, also used for healing. The practice of shamanic drumming completes his quest for spirituality.
Her painting is prayer. The lines, hatching, and dots become meditation, like illuminating monks who pray throughout their work. The stories thus created become magical objects that she sees as bulwarks against evil and death. Their current relevance is stinging and testifies to her deep fears and her difficulty understanding the ambivalence of humanity.
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