Volume V, Circa 2011
Jérôme Chiarodo  

Painting : acrylic · 146 x 97 x 1.8 cm 57.5 x 38.2 x 0.7 inch · Ready to hang

$6,674 6 674 $US

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Shipped from: France

Delivery to: United States , $ 406

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

146 x 97 x 1.8 cm 57.5 x 38.2 x 0.7 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

This work is part of a series of "Volumes" that reflects on the tension of forms and spaces, where the balance of emptiness suspends the force of fullness. Here, an imposing black square occupies the center, anchoring a certain depth. Above, a bright red rectangle brings vibrant energy, contrasting with a luminous white rectangle. On the right side, a vertical blue band adds a dynamic of freshness, opposing the warmth of the red. At the bottom, a small, bright yellow square draws the eye, breaking the uniformity. The dripping shades at the base accentuate a raw texture and visceral emotion. This composition, using seemingly simple geometric shapes, evokes tension and balance. The contrasting colors and textures define the work's modern aesthetic, embodying a bold exploration of abstraction.

Abstract

Abstract art

Red

Jérôme Chiarodo, Volume V
France  • 1965

Presentation

Born in 1965 in Villerupt (Meurthe et Moselle) in France, Jérôme Chiarodo graduated from the Paris Belleville School of Architecture.

He lives and works in Paris, and simultaneously leads a pictorial and architectural work.

Jérôme Chiarodo's work is the graphic expression of his obsessions: the balance of the elements, space, time. The real concretization of his painting came at the end of a long maturation to achieve abstraction. His favorite motifs are graphs, volumes, lines, which express tensions, vibrations, and dynamic balances.

The material spreads out, flows and retracts into multicolored concretions.

The use of acrylic paint allows him speed, fluidity in the gesture. His work is close to tags and graffiti. He captures the immediacy of movement and experiences transparency. The painting then expresses the moment, frozen on the canvas. Instinctive painting and expression of liberation, he works on liquid matter because "it remains a living matter".

He plays with matter, transparency, water and color. The vibrations maintained by the play of light and masses offer him an infinite variation of possibilities. He sublimates this light which literally crosses his canvas to escape nothingness.

His work is organized in a serial way. In painting as in his sculptures, he approaches series as so many modulations between full and empty, weightlessness and gravity.

He is in search of recounting, the source of emotion: "more is too much, less is nothing".

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