Abandoned Roads to Nowhere, 2025
Morgan Grady-Smith  

Painting : acrylic · 61 x 46 x 1.5 cm 24 x 18.1 x 0.6 inch · Ready to hang

$834 834 $US

One of the last works available by this artist

Shipping & delivery

Shipped from: Canada

Delivery to: United States , $ 75

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 46 x 1.5 cm 24 x 18.1 x 0.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2024

Description

This artwork is a vibrant explosion of color and form, skillfully merging abstract elements with hints of nature. Dominated by bold, overlapping brushstrokes, it features a palette of rich reds, blues, greens, and yellows, creating an energetic and dynamic visual rhythm. The intricate interplay of lines suggests organic shapes reminiscent of foliage or tangled vines, weaving through the composition with fluid grace. This piece captivates through its complex layering and harmonious use of contrasting colors, evoking a sense of movement and vitality. The abstract nature invites viewers to interpret various narratives, each unique to their perception, while the overall aesthetic maintains an alluring balance between chaos and order. This artwork stands out for its compelling use of color and form, offering an immersive experience that engages the viewer's imagination and emotions.

Morgan Grady-Smith, Abandoned Roads to Nowhere
Canada

Presentation

Morgan is a self-taught artist living and working in Hamilton, Ontario. Currently using acrylic paint and oil stick to create her vivid, abstracted landscapes, she has also worked with coloured pencil and oil pastel. Inspired by fauvism, post-impressionism, and vintage textiles and ceramics, she builds scenes that are less interested in the details of natural elements than in the relationships between silhouettes of bold colour and energetic forms. She seeks to share with viewers her experience of both witnessing and embodying the natural world. 

Morgan's work has appeared in local galleries and is held in private collections across Canada and in the U.S.  

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