N°1135, 2020
Painting : acrylic · 146 x 114 x 3 cm 57.5 x 44.9 x 1.2 inch
€7,736
7 736 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 474
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
146 x 114 x 3 cm 57.5 x 44.9 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Jean-Daniel Salvat is a French abstract artist based in Nîmes, France.
He attended the Ecole Nationale Supérieure des Beaux-Arts under the directorship of the famous artist Claude Viallat, known for his association with the Supports/Surfaces Group.
The artist employs a distinctive technique: painting on the reverse side of transparent vinyl, which is subsequently mounted on stretchers.
This process effectively eliminates any tactile signs from the artwork. There's no discernible pictorial matter left; only a reflective surface remains.
This work is from a series titled "Virtuous Circles" which explores the concept of a "virtuous circle," a positive feedback loop that amplifies desirable effects.
It involves cause-and-effect relationships that loop back into themselves, creating a self-reinforcing and improving system. This concept is used to illustrate philosophical ideas within Salvat's work.
Presentation
Born in Aurillac in 1969. Jean-Daniel Salvat graduated from Beaux Arts in Nimes in 1992, under Claude Viallat's supervision. He moved to Paris in 1993 until 1994, then New York from 1995-2005 and came back to France in 2006.
Salvat has been developing work called Post Support surface, this term was coined by the art critic namely Serge Hartman. Just like his seniors, he questions the formal identity of a canvas, its construction, its reading.By painting on transparent flexible vinyl, which is then mounted on a frame, he erases any traces of paint and depicts a smooth and shining image. His work is like a facsimile, a vague identity which questions the reading codes of a painting, as he explained during an interview with Elisabeth Couturier on France Culture, a program which contributed to his fame in 2008, on a national level.
Jean-Daniel Salvat was recently invited by the Cultural Center in Karlsruhe, Germany. His work is presented in several private collections in France, USA. He has been participating in major contemporary art fairs around Europe, since ten years.
Salvat has been developing work called Post Support surface, this term was coined by the art critic namely Serge Hartman. Just like his seniors, he questions the formal identity of a canvas, its construction, its reading.By painting on transparent flexible vinyl, which is then mounted on a frame, he erases any traces of paint and depicts a smooth and shining image. His work is like a facsimile, a vague identity which questions the reading codes of a painting, as he explained during an interview with Elisabeth Couturier on France Culture, a program which contributed to his fame in 2008, on a national level.
Jean-Daniel Salvat was recently invited by the Cultural Center in Karlsruhe, Germany. His work is presented in several private collections in France, USA. He has been participating in major contemporary art fairs around Europe, since ten years.
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