N°1135, 2020
Jean-Daniel Salvat  

Painting : acrylic · 146 x 114 x 3 cm 57.5 x 44.9 x 1.2 inch

$8,689 8 689 $US

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Shipped from: France

Delivery to: United States , $ 1,239

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

146 x 114 x 3 cm 57.5 x 44.9 x 1.2 inch Height x Width x Depth

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Description

Jean-Daniel Salvat is a French abstract artist based in Nîmes, France.  

He attended the Ecole Nationale Supérieure des Beaux-Arts under the directorship of the famous artist Claude Viallat, known for his association with the Supports/Surfaces Group.

The artist employs a distinctive technique: painting on the reverse side of transparent vinyl, which is subsequently mounted on stretchers.

This process effectively eliminates any tactile signs from the artwork. There's no discernible pictorial matter left; only a reflective surface remains.  

This work is from a series titled "Virtuous Circles" which explores the concept of a "virtuous circle," a positive feedback loop that amplifies desirable effects.  

It involves cause-and-effect relationships that loop back into themselves, creating a self-reinforcing and improving system. This concept is used to illustrate philosophical ideas within Salvat's work.

Abstract

Abstract expressionism

brown

Jean-Daniel Salvat, N°1135
France  • 1969

Presentation

Born in Aurillac in 1969. Jean-Daniel Salvat graduated from Beaux Arts in Nimes in 1992, under Claude Viallat's supervision. He moved to Paris in 1993 until 1994, then New York from 1995-2005 and came back to France in 2006.

Salvat has been developing work called Post Support surface, this term was coined by the art critic namely Serge Hartman. Just like his seniors, he questions the formal identity of a canvas, its construction, its reading.By painting on transparent flexible vinyl, which is then mounted on a frame, he erases any traces of paint and depicts a smooth and shining image. His work is like a facsimile, a vague identity which questions the reading codes of a painting, as he explained during an interview with Elisabeth Couturier on France Culture, a program which contributed to his fame in 2008, on a national level.

Jean-Daniel Salvat was recently invited by the Cultural Center in Karlsruhe, Germany. His work is presented in several private collections in France, USA. He has been participating in major contemporary art fairs around Europe, since ten years.

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