Let's take care of ourselves, 2025
Painting : oil · 80 x 110 x 4 cm 31.5 x 43.3 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 363
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 110 x 4 cm 31.5 x 43.3 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The artwork depicts three sleeping figures, forming an intimate and protective composition. The two women, reclining around a central man, appear to watch over him tenderly. Their peaceful and serene expressions, along with the floral patterns of their clothing, accentuate the gentleness of the scene. The warm color palette, dominated by shades of brown, green, and cream, creates a hushed and comforting atmosphere. The details of the curly hairstyles and textiles evoke a rich textural contrast, enhancing the depth of the image. The diffused lighting highlights the delicate contours of the faces and bodies, emphasizing the tranquility of the moment frozen in time. This illustration poignantly captures the intimate connection between the subjects, while inviting the viewer to contemplate the serenity and harmony of this shared moment.
Presentation
A former student of the Beaux-Arts d'Épinal and Reims, where she studied conceptual art, Sandrine Stoïanov trained in cartooning on the job after a spell at Gobelins l'école de l'image. She has co-directed two short animated films with writer-director Jean-Charles Finck that are very personal to her: Irinka & Sandrinka (2006) and Le Monde en Soi (2020), nominated for a César in 2022.
For the latter, the script demanded that she return to her first love of painting and tackle a technique she had never practised before: oil painting. It was a turning point. With the help of isolation and time in confinement, she very quickly found, over and above well-digested influences, her own touch, a personal gesture, her 'way'... which she has been expressing in her canvases ever since. So, almost incidentally, she became a painter. Like the character in her film (who already looked a lot like her). Life imitates art.Her artistic approach is to give faces to the cultural mix of urban society. To take the 'long time' required by the technique of oil painting and the patient observation of his contemporaries, to reveal what they simulate and what they mask, in the manner of a Degas, a Lautrec, or perhaps a Hopper, thus rediscovering the light of a social naturalism, but of today. Painting human beings caught up in the modernity of their attachments, their contradictions and aspirations, the weight of their daily lives, and thus creating portraits of people we are not used to seeing represented in this light, particularly women. Little by little, she built up her body of work.
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