Bronze Sculpture for Sale
Internal Confessions,
2026
Karen Silve
Painting : acrylic
170 x 140 cm 66.9 x 55.1 inch
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About the artwork
Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
170 x 140 cm 66.9 x 55.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This abstract painting is a vibrant exploration of color, form, and inner reflections. Bold brushstrokes and a rich interplay of greens, pinks, and earthy tones evoke an organic, almost chaotic landscape. In creating it, the artist placed herself at the heart of the earth, channeling her personal thoughts into every gesture. The fluid, layered textures capture the unpredictability of nature, merging harmony and dissonance, and invite the viewer to experience raw emotion and engage in an intimate interpretation.
About the seller
Independent artist • France
Vetted Seller
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Presentation
Les peintures de Karen Silve sont des distillations de ses émotions, impressions et expériences liées à la nature et à la culture. Entourée par la beauté pittoresque du nord-ouest du Pacifique aux États-Unis et de la campagne provençale, elle superpose couleurs et gestes dans des récits abstraits — des compositions d'images, de sensations et de souvenirs qui fusionnent dans un espace pictural non littéral, où dialoguent ambiguïté et clarté, calme et tension, intérieur et extérieur.
Le célèbre critique Peter Frank, qui place l'artiste dans la lignée de Cézanne, Monet, de Kooning et Mitchell, ajoute : « Malgré toute leur exubérance broussailleuse et dégoulinante, les peintures de Silve sont composées avec une rigueur presque architecturale qui imite les rythmes glorieux de la nature elle-même. »
Cette sensibilité accrue au monde naturel peut provenir de ses premiers travaux de figuration et de paysage. C'est en tant qu'artiste émergente, étudiante à Aix-en-Provence en France à l'école Léo Marchutz, qu'elle a trouvé sa véritable passion pour la peinture, la couleur et la nature, ainsi que l'éthique de travail qui allait la propulser au cours des années à venir. Depuis ces années de formation, elle a exposé dans des musées, des centres d'art et des galeries à New York, Washington, D.C., Chicago, Miami, Santa Fe et Sun Valley, ainsi qu'au Royaume-Uni, à Venise, au Qatar, à Brunei et au Mexique, où son travail est inclus dans la collection permanente du consulat américain à Monterrey.
Bénéficiaire de bourses et de résidences prestigieuses, elle a reçu les éloges de la critique dans des publications telles que The Washington Post (« Sa main libre et ses éclaboussures vives rappellent Jackson Pollock… et font écho à la technique de Gerhard Richter ») et d'Ann Landi, collaboratrice d'ARTnews et du New York Times (« Parce que beaucoup de ses œuvres sont à échelle humaine, nous nous y rapportons avec notre propre corps et entrons dans son dialogue avec les matériaux »).
English:
Karen Silve's paintings are distillations of her emotions, impressions, and experiences in the realms of nature and culture. Surrounded by the scenic beauty of the Pacific Northwest and the the Provençal countryside, she layers color and gesture into abstracted narratives—composites of visuals, sensations, and memories, which coalesce in a non-literal pictorial space where ambiguity and clarity, calm and tension, interior and exterior come into dialogue.
Placing the artist in the lineages of Cézanne, Monet, de Kooning, and Mitchell, renowned critic Peter Frank adds: “For all their brushy, dripping exuberance, Silve's paintings are composed with an almost architectural rigor that emulates nature's own glorious rhythms."
This heightened sensitivity to the natural world may stem from her early work in figuration and landscape. It was as an emerging artist, studying in Aix-en-Provence, France at the Léo Marchutz School, that she found her true passion for painting, color, and nature, as well as the work ethic that would power her through the years to come.Â
Since those formative years, she has exhibited in museums, art centers, and galleries in New York City, Washington, D.C., Chicago, Miami, Santa Fe, and Sun Valley, as well as the United Kingdom, Venice, Qatar, Brunei, and Mexico, where her work is included in the permanent collection of the U.S. Consulate in Monterrey. The recipient of prestigious grants and residencies, she has won critical praise in publications such as The Washington Post (“Her free hand and lively spattering recall Jackson Pollock... and parallel the technique of Gerhard Richter") and from ARTnews and New York Times contributor Ann Landi (“Because many of her works are human-scaled, we relate to them with our own bodies and enter into her dialogue with materials").
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