Semi Form XXII, 2026
Painting : oil, acrylic, coal · 78 x 75 x 2 cm 30.7 x 29.5 x 0.8 inch · Ready to hang
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Shipped from: France
Delivery to: France , € 53
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
78 x 75 x 2 cm 30.7 x 29.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
is a vivid, gestural painting that hovers between abstraction and figuration. On a soft periwinkle ground, a dense cluster of marks gathers at the centre: looping strokes of magenta, a thick lime-green ring around a black core, a cobalt spiral built up in heavy impasto, and a band of burnt red. Below it, a deep crimson form stretches across the canvas, punctuated by orange ovals and a row of chalky white circles. Black lines, scrawled quickly and with confidence, run through everything and hold the composition together.
The title points to the work’s ambiguity. The forms are “semi”: almost something. A bouquet, a face, a still life on a table, or a figure all seem to surface and dissolve, depending on where the eye settles. Jaoui leaves that question open. The painting reads as a record of decisions made in the moment, with energy taking precedence over description.
The surface rewards a close look. Layers of oil stick, acrylic and thick paint sit side by side with thinner, scraped passages. In places the raw canvas shows through, and elsewhere the paint stands in ridges. The result is tactile and physical, a quality best appreciated in person.
At 78 × 75 cm, the work is intimate in scale but bold in presence, with colour strong enough to anchor a room.
Presentation
Creating captivating and labor-intensive work with an idea of continuing the legacy of abstract expressionism movement from the 50s and 60s, Taher Jaoui's paintings are rich assemblages of layered forms, vibrant colors, expressive gestures, and mathematics signs and formulas. Applied on canvas through a dynamic interaction, a physical back and forth dialogue in which perspective and orientation continuously change until all the elements are balanced right, these opulent creations are the artist's personal way of expressing himself.
Through a series of spontaneous movements, directly inspired by the way canvas responds to layers of paint and gestures applied to it, Jaoui compares his work to a dance routine with a familiar partner. And while impulsive and unconstrained in its core, the familiarity with materials is essential for the creative process that strongly depends on the ability to respond quickly and foresee the way the elements will work together. Layering pastels, oils, and acrylics, the artist accents the richness of his work by constructing a raw texture which directly captures the physical energy put into each piece. Serving as a channel to convey his thoughts, emotions, and visions, the artistic practice is Jaoui's source of confidence and peace, while the finished work becomes a documentation of the process of achieving those feelings.
Without any formal art education, his artistic practice is influenced by African primitive art, graffiti, glitch art, COBRA movement as well as the philosophy and attitude of post-war abstract expressionism. Varying from simple forms and patterns over familiar shapes that reminiscent of abstracted skulls, all the way to chalkboard-like scribble sections, the canvas surface becomes the workspace through which the artist exercises his ways of expression.
Reviews from our customers
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